Billowing clouds sweep across the sky in Jan van Goyen's engaging portrayal of the lively waterways near Dordrecht. While sailboats and dinghies filled with men and women come and go, the most active elements of the painting are the shifting patterns of light and shade passing over this watery domain. Van Goyen exploited these atmospheric qualities not only through his quick and fluid brushwork, but also in the way he patterned his composition by silhouetting foreground figures and their boats against sunlit waters beyond, and by juxtaposing the distant city profile against the white clouds. While Van Goyen clearly viewed Dordrecht from the banks of the river Merwede, the essence of the painting is not topography but the character of the air and human life in the confluence of rivers surrounding this important and historic Dutch city.
Over the course of his long career, Van Goyen painted about 70 views of Dordrecht and its environs. This work, executed in the 1650s, is likely one of the last. The thick and vigorous application of paint is typical of his work from that time, as is the large compositional element of the ferryboat with its billowing sail and the strong contrasts of light and dark.
lower right on the bow of the boat: V G 165[illegible numeral]
- The Hudson-Fulton Celebration, The Metropolitan Museum of Art, New York, 1909, no. 19 (catalogue entry has the dimensions of no. 18, NGA 2014.136.33).
- Romance and Reality: Aspects of Landscape Painting. For the Benefit of the Memorial Sloan Kettering Cancer Center, Wildenstein & Co., New York, October 1978, no. 33.
- The William A. Clark Collection: An exhibition marking the 50th Anniversary of the installation of The Clark Collection at The Corcoran Gallery of Art, Washington, 1978, catalogue without checklist.
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- Valentiner, Wilhelm R. Catalogue of a collection of paintings by Dutch masters of the seventeenth century. The Hudson-Fulton Celebration 1. Exh. cat. Metropolitan Museum of Art, New York, 1909: 20, no. 19, repro.
- Breck, Joseph. "L'Art hollandais à l'exposition Hudson-Fulton à New-York." L'Art Flamand et Hollandais 13 (June-July 1910): 59.
- Valentiner, Wilhelm R. Catalogue of a Loan Exhibition of Paintings by Old Dutch Masters Held at the Metropolitan Museum of Art in Connection with the Hudson-Fulton Celebration. New York, 1910: 86, no. 19, repro.
- Carroll, Dana H. Catalogue of Objects of Fine Art and Other Properties at the Home of William Andrews Clark, 962 Fifth Avenue. Part I. Unpublished manuscript, n.d. (1925): 132, no. 71
- Volhard, Hans. Die Grundtypen der Landschaftsbilder Jan van Goyens und ihre Entwiklung. Frankfurt am Main, 1927: 163, 188.
- Corcoran Gallery of Art. Illustrated Handbook of the W. A. Clark Collection. Washington, 1928: 42.
- Corcoran Gallery of Art. Illustrated Handbook of the W. A. Clark Collection. Washington, 1932: 47.
- Breckenridge, James. D. A Handbook of Dutch and Flemish Paintings in the William Andrews Clark Collection. Washington, 1955: 20, repro.
- Beck, Hans-Ulrich. Jan van Goyen, 1596-1656: ein Oeuvreverzeichnis. 4 vols. Vol. 2: Katalog der Gemälde. Amsterdam, 1973: 2: 153, no. 311, repro.
- Sutton, Denys. Romance and Reality: Aspects of Landscape Painting. For the Benefit of the Memorial Sloan Kettering Cancer Center. Exh. cat. New York, Wildenstein & Co. New York, 1978: 18-19, nos. 21 and 33, repro.
- Sutton, Peter C. A Guide to Dutch Art in America. Washington and Grand Rapids, 1986: 299.
- Lewis, Hall, ed. The William A. Clark Collection: Treasures of a Copper King. Exh. cat. Billings, Yellowstone Art Center, Billings; Helena, Montana Historial Society, Helena. Billings, 1989: 7, 42, repro.