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lower right on map: R. Smithson 67; lower center, typed on label: _A_ _NONSITE_ (_an_ _indoor_ _earthwork_) / 31 sub-divisions based on a hexagonal / "airfield" in the Woodmansie Quadrangle - / New Jersey (Topographic) map. Each sub - / division of the _Nonsite_ contains sand / from the _site_ shown on the map. Tours / between the _Nonsite_ and the _site_ are possible. / The red dot on the map is the place where / the sand was collected.


Virginia Dwan, New York; gift 2013 to NGA.

Exhibition History
Robert Smithson: Sculpture, Herbert F. Johnson Museum of Art, Cornell University, Ithaca; Walker Art Center, Minneapolis; Museum of Contemporary Art, Chicago; La Jolla Museum of Contemporary Art; Laguna Gloria Museum, Austin; Whitney Museum of American Art, New York; American Pavilion, 40th Biennale, Venice; ARC, Musée d'art moderne de la ville de Paris; Sara Hilder Museum, Helsinki; Lehmbruck Museum, Duisberg; Museum of Modern Art, Belgrade; Kröller-Müller Museum, Otterlo, 1980-1984, no. S18 (1980-1982 catalogue for U.S. venues), S16 (Paris and Otterlo catalogues), repro.
Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles; Haus der Kunst, Munich, 2012-2013.
Robert Smithson's New Jersey, Montclair Art Museum, Montclair, 2014, no. 6, repro.
Graziani, Ron. Robert Smithson and the American Landscape. New York, 2004: 71, figs. 18(A), 18(B).
Meyer, James. "Robert Smithson, A Non-Site (Pine Barrens, New Jersey) and Glass Stratum." National Gallery of Art Bulletin 49 (Fall 2013): 26-27, repro.