Romare Bearden mined a wide range of sources: the Bible, the writings of French satirist François Rabelais, his childhood memories of Mecklenburg County in North Carolina, the people and streets of Harlem, the epic poems of Homer, and more. He revisited many of these themes time and time again. Thus he made ink drawings and watercolors inspired by Homer’s Iliad in the 1940s, and a series of twenty collages based on The Odyssey in 1977.
Bearden’s collages drew strong praise when they were exhibited at the Cordier & Ekstrom Gallery in New York’s Upper East Side in the spring of 1977, and he went on to make watercolor versions around the same time. About two years later, he translated six of the collage compositions into screenprints, which were published as the Odysseus Suite in 1979.
lower left in graphite: 65/125; lower right in graphite: Romare Bearden; lower right verso in graphite by unknown hand: Fall of Troy / X BEA-1
Marks and Labels
blindstamp: HMK (for printer Mohammad Omer Khalil, New York)
(Bill Hodges, NY); gift to NGA, 2013
- REMIX: Themes & Variations in African-American Art, Columbia Museum of Art, Columbia, 2016, unnumbered catalogue.
- Gelburd, Gail and Alex Rosenberg. A Graphic Odyssey: Romare Bearden as Printmaker. Exh. cat., University of Pennsylvania Press, 1992.
- REMIX: Themes & Variations in African-American Art. Exh. cat. Columbia Museum of Art, South Carolina, 2016: 10-11, 45, fig. 1.