Yeats at Petitpas'

1910/c. 1914

John Sloan

Painter, American, 1871 - 1951

John Sloan

Six men wearing ties and four women in long dresses are gathered around a long, rectangular table set near a corner of a room in this horizontal painting. This scene is loosely painted and brushstrokes are visible throughout, so some details are indistinct. One of the long sides of the table stretches across the composition, and angles a little away from us to our left. Closest to us and to our right, a woman wearing a white dress with a high, ruffled collar sits in a wooden chair facing our left in profile. A brick-red fan rests open in her lap. Two more women wearing straw-yellow hats sit among the men on the far side of the table, as the fourth woman stands behind the table, bringing a dish of fruit. That woman's dark hair is gathered loosely atop her head, and she smiles down at a man holding a pipe to his mouth. The men all have short hair and a few of them are cleanshaven. To our left, a man with a full, white beard and possibly wearing glasses sits smoking a dark cigarette or cigar as he looks down, head tipped back, at something he draws or writes in a notebook. At the other narrow end, to our right, a man with a red mustache and beard seems to speak, his mouth open. Many of the people smile, and their gazes travel across the table at all angles. Some lean back in their chairs and others lean toward or on the table. Their clothing is painted mostly in tones of gray, olive green, buttercup yellow, and brown with a few touches of rust red. The table is covered with a white cloth and set with four bottles, a wide-bottomed, glass carafe, and several wine glasses. Vines or another plant grows up the sky-blue, paneled wall to our right and in the corner opposite us, to the left of center. The wall to our left is draped with a red, white, and blue swag hanging from the ceiling. The beams of the ceiling and the underside of the planks there are painted pale teal green. The single light hanging from the ceiling resembles an open flower as the glass sides curve up around the light. The artist signed the painting in the lower right corner: “John Sloan.”
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This scene depicts a lively gathering of poets and artists at Petitpas', a French restaurant and boardinghouse in the Chelsea district of Manhattan. Shown from left to right around the table are literary critic Van Wyck Brooks; painter John Butler Yeats; poet Alan Seeger; the artist's wife, Dolly Sloan; Celestine Petipas (standing); fiction writer Robert Sneddon; miniature painter Eulabee Dix; John Sloan, the artist (corner); Fred King, the editor of Literary Digest; and, in the foreground, Vera Jelihovsky Johnston, wife of the Irish scholar Charles Johnston.

Associated with the Ashcan school—a group of urban realists who espoused the notion of "art for life's sake" instead of "art for art's sake"—John Sloan was well known for his scenes of everyday life. This lively representation of assembled artists and friends comes out of that context, as gatherings such as this were common at the time. John Butler Yeats, Irish painter and father of poet William Butler Yeats, lived at Petitpas' from 1909 until his death in 1922 and presided nightly at a table in the courtyard. By 1910, when Sloan began this painting, Yeats had become a significant mentor to the artist, especially in his detailed and methodical approach to portraiture. It is notable that Sloan chose to depict Yeats drawing a portrait rather than engaging in the lively conversation for which he was so well known. Sloan's rendering of his own likeness is also noteworthy as one of the most carefully executed and complete within the painting. These choices by Sloan invite a reading of this work as a tribute to the elder Yeats and his significant influence on the artist. The painting also functions as a commemoration of the year 1910 in general, a time of several professional accomplishments for Sloan, some of which were celebrated at this famed restaurant.

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Artwork overview

More About this Artwork

Scholarly Article:  American Paintings, 1900–1945: Yeats at Petitpas', 1910/c. 1914

This nearly square painting shows an industrial area with buildings, storage silos, a smokestack, and railroad tracks. A mound of brown dirt or other material is in shadow in the lower left corner of the painting. Next to the mound, railroad tracks extend diagonally from the lower center of the painting into the distance to our right. The tracks end at a white building with staggered gray rooflines to our right in the distance. A tall terracotta-red smokestack rises high beyond the white building, smoke pouring out of its top and blending into the clouds above. Just beyond the mound of dirt, piles of white material, perhaps in unseen bins, line the railroad track to our left and lead back to a row ten interconnected, coral-orange silos. The horizon comes about halfway up the painting, and it is lined with a row of long white and gray warehouses. The artist signed and dated the work with brown paint in the lower right corner: “Sheeler 31.”

Scholarly Series:  American Paintings, 1900–1945

Artwork history & notes

Provenance

(C.W. Kraushaar Galleries, New York); purchased 1932 by the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art.

Associated Names

Exhibition History

1916

  • Robert Henri, George Bellows, John Sloan, Arts Club of Chicago, November 1916.

1917

  • Exhibition of Paintings, Drawings and Etchings by John Sloan, C.W. Kraushaar Art Galleries, New York, 19 March - 7 April 1917, no. 8.

1918

  • 113th Annual Exhibition, Pennsylvania Academy of Fine Arts, Philadelphia, 3 February - 24 March 1918, no. 462.

1921

  • John Sloan, George Luks and Augustus Vincent Tack, City Club, New York, March-April 1921.

1927

  • Exhibition of Paintings, Drawings, Etchings and Lithographs by John Sloan, C.W. Kraushaar Art Galleries, New York, 15 February - 5 March 1927, no. 4.

  • 26th Annual International Exhibition of Paintings, Carnegie Institute, Pittsburgh, 13 October - 4 December 1927, no. 77, repro.

1928

  • The Twenty-Sixth Annual International Exhibition of Paintings Organized by the Carnegie Institute, Pittsburgh, Brooklyn Museum, 9 January - 19 February 1928, no. 77.

1932

  • John Sloan, Van Deering Perrine and Helen M. Turner, Grand Central Art Galleries, New York, October 1932.

  • Thirteenth Exhibition of Contemporary American Oils, Corcoran Gallery of Art, Washington, 4 December 1932 - 15 January 1933, no. 133.

1934

  • A Survey of American Painting, Baltimore Museum of Art, 10 January - 28 February 1934, no. 54.

1937

  • New York Realists 1900-1914, Whitney Museum of American Art, New York, 9 February - 5 March 1937, no. 77.

1938

  • John Sloan: Retrospective Exhibition, Addison Gallery of American Art, Phillips Academy, Andover, 1938, no. 13.

1942

  • 20th Century Portraits, Museum of Modern Art, New York, 9 December 1942 - 24 January 1943, unnumbered checklist.

1945

  • Artists of the Philadelphia Press: William Glackens, George Luks, Everett Shinn, John Sloan, Philadelphia Museum of Art, 14 October - 18 November 1945, no. 58, repro.

1952

  • John Sloan, 1871-1951, Whitney Museum of American Art, New York; Corcoran Gallery of Art, Washington, Toledo (Ohio) Museum of Art, 1952, no. 26.

1956

  • Marsden Hartley, Edward Hopper, Walt Kuhn, John Sloan, Arts Club of Chicago, 8 May - 15 June 1956, no. 37.

1957

  • Portraiture: The 19th and 20th Centuries, Munson-Williams-Procter Institute, Utica; Baltimore Museum of Art; Dallas Museum of Fine Arts; Colorado Springs Fine Arts Center, 1957, no. 40.

1958

  • Retrospective Exhibition of Paintings from Previous Internationals, Carnegie Institute, Pittsburgh, 5 December 1958 - 8 February 1959, no. 43.

1962

  • The Art of John Sloan 1871-1951, Walker Art Museum, Bowdoin College, Brunswick, 20 January - 28 February 1962, no. 17, repro.

1966

  • Past and Present: 250 Years of American Art, Corcoran Gallery of Art, Washington, 15 April - 30 September 1966, unpublished checklist.

1971

  • John Sloan: 1871-1951, National Gallery of Art, Washington; Georgia Museum of Art, Athens; M.H. De Young Memorial Museum, San Francisco, 1971-1972, no. 71.

1972

  • Conservation in the Museum, Corcoran Gallery of Art, Washington, 15 September - 22 October 1972, unpublished checklist.

1976

  • The American Genius: W.W. Corcoran, Corcoran Gallery of Art, Washington, 24 January - 4 April 1976, unnumbered catalogue.

1982

  • Japanese Artists Who Studied in the USA and the American Scene, National Museum of Modern Art, Tokyo; National Museum of Modern Art, Kyoto, 1982, no. 71.

1985

  • Strokes of Genius, Dulin Gallery of Art, Knoxville, 30 March - 28 April 1985, no. 35.

  • Henri's Circle, Corcoran Gallery of Art, Washington, 20 April - 16 June 1985, unnumbered checklist.

  • John Sloan: Painter of the American Scene, Queens Museum, Flushing, 5 October - 17 November 1985, no. 3.

1988

  • John Sloan: Spectator of Life, IBM Gallery of Science and Art, New York; Delaware Art Museum, Wilmington; Columbus Museum of Art; Amon Carter Museum, Fort Worth, 1988, no. 51.

1996

  • Gaelic Gotham: A History of the Irish in New York, Museum of the City of New York, 13 March - 27 October 1996.

1998

  • The Forty-Fifth Biennial: The Corcoran Collects, Corcoran Gallery of Art, 17 July - 29 September 1998, unnumbered catalogue.

2003

  • The Impressionist Tradition in America, Corcoran Gallery of Art, 19 July 2003 - 18 October 2004, unpublished checklist.

2004

  • Figuratively Speaking: The Human Form in American Art, 1770-1950, Corcoran Gallery of Art, Washington, 20 November 2004 - 7 August 2005, unpublished checklist.

2005

  • Encouraging American Genius: Master Paintings from the Corcoran Gallery of Art, Corcoran Gallery of Art, Washington; Museum of Fine Arts, Houston; Parrish Art Museum, Southampton, New Yprl; Mint Museum of Art, Charlotte; John and Mable Ringling Museum of Art, Sarasota, 2005-2007, checklist no. 67.

2007

  • Life's Pleasures: The Ashcan Artists' Brush with Leisure, 1895-1925, Frist Center for the Visual Arts, Nashville; New-York Historical Society; Detroit Institute of Arts, 2007-2008, no. 11.

2009

  • American Paintings from the Collection, Corcoran Gallery of Art, Washington, 6 June - 18 October 2009, unpublished checklist.

2013

  • American Journeys: Visions of Place, Corcoran Gallery of Art, Washington, 21 September 2013 - 28 September 2014, unpublished checklist.

Bibliography

1910

  • Sloan unpublished diary entries: 3, 10, and 12 August 1910, 19 April 1946, 31 March 1948, 2 and 29 January 1950; John Sloan Manuscript Collection, Helen Farr Sloan Library and Archives, Delaware Art Museum, Wilmington.

1917

  • "Other Exhibitions [exh. review]." The New York Times (March 25, 1917): Magazine sec., 13.

  • "Art Notes [exh. review]." Touchstone 1, no. 1 (May 1917): 115.

  • Yeats, John Butler. "John Sloan's Exhibition [exh. review]." Seven Arts 2, no. 2 (June 1917): 259.

1918

  • Pène du Bois, Guy. "At the Art Galleries [exh. review]." New York Evening Post (February 16, 1918): Magazine sec., 7.

  • Pène du Bois, Guy. "Official American Painting [exh. review]." Arts and Decoration (March 1918): 203.

1921

  • "City Club [exh. review]." American Art News 19, no. 24 (March 26, 1921): 3.

1922

  • "Art in Many Forms and Many Places: J. B. Yeats at Petitpas [exh. review]." The New York Times (February 12, 1922): Arts and Leisure sec., 8.

  • Young, James C. "Years of Petitpas." The New York Times Book Review and Magazine (February 19, 1922): 14, repro.

  • "A Reviewer's Notebook." Freeman 4, no. 103 (March 1, 1922): 598.

1925

  • Gallatin, A. E., ed. John Sloan. New York, 1925: 13-14, repro.

1927

  • Cortissoz, Royal. "Paintings by John Noble, John Sloan and Others [exh. review]." The New York Herald Tribune (February 20, 1927): sec. VI, 10.

  • Bulletin of the Brooklyn Institute of Arts and Sciences 31 (March 12, 1927): 218, repro.

  • Hopper, Edward. "John Sloan and the Philadelphians [exh. review]." Arts 11, no. 4 (April 1927): 174.

  • Saint-Gaudens, Homer. "The Twenty-Sixth International Exhibition of Paintings at Carnegie Institute [exh. review]." American Magazine of Art 18, no. 12 (December 1927): 640, repro.

  • [Exh. review]. New York American (27 February 1927): newspaper clipping, John Sloan Vertical File, Smithsonian American Art and Portrait Gallery Library, Washington.

1928

  • "High Spots in the New York Art Galleries." Arts and Decoration 28, no. 3 (January 1928): 44, repro.

  • "Yeats at Pittpas [sic]." New York Evening Post (7 January 1928): Gravure sec., repro.

  • "32 Paintings by John Sloan Sold in Group." New York Herald Tribune (29 March 1928): 23.

  • "Group of 32 Sloans for New Collection." The New York Times (29 March 1928): 15.

  • "Sold." Time 11, no. 15 (9 April 1928): 41.

  • "A Maecenas Begins with Sloan." Literary Digest 97, no. 3 (21 April 1928): 27, repro.

  • "Sale of Sloan Art to Benefit Public." Possibly New York Morning Telegraph (c. 29 March 1928): newspaper clipping, John Sloan Vertical File, Smithsonian American Art and Portrait Gallery Library, Washington.

  • "Sloan Sale Sets American Record." Chicago Evening Post (3 April 1928): newspaper clipping, John Sloan Vertical File, Smithsonian American Art and Portrait Gallery Library, Washington.

1931

  • Pène du Bois, Guy. John Sloan. American Artist Series. New York, 1931: 43, repro.

1932

  • "Around the Galleries [exh. review]." Art News 31, no. 4 (22 October 1932): 6.

  • Art News 31, no. 6 (5 November 1932): 2, repro.

  • Mechlin, Leila. "Contemporary Art Exhibit Opened [exh. review]." Washington Sunday Star (4 December 1932): 2.

  • "Corcoran Biennial Will Open Today [exh. review]." Washington Star (4 December 1932): 2.

  • Grafly, Dorothy. "National Flavor Lends Distinction to Corcoran Show: 13th Biennial Demonstrates Value of Jury System." Philadelphia Public Ledger (4 December 1932): Art sec., 7.

  • "The Corcoran Annual [exh. review}." Christian Science Monitor (10 December 1932): 12.

  • Mechlin, Leila. "Four Important Purchases by the Corcoran Gallery From Biennial Exhibition - Prize-Winning Pictures to Remain Permanently in Washington." Washington Star (11 December 1932): sec. 7, 12, repro.

  • Art News 31, no. 13 (24 December 1932): cover, repro.

1933

  • "Corcoran Buys Three Works from Biennial." Art Digest 7, no. 7 (1 January 1933): 15, repro.

  • Wilson, Vylla Poe. "Capital Art and Artists." The Washington Post (1 January 1933): sec. A, 3, repro.

  • "Field Notes: Corcoran Biennial [exh. review]." American Magazine of Art 26, no. 1 (January 1933): 47, repro.

  • "The Corcoran Biennial [exh. review]." Creative Art 7, no. 2 (February 1933): 139.

  • Roberts, W. Adolph. "He Started Again After 70." New York Herald Tribune Magazine (19 February 1933): sec. XI., 9, repro.

  • Gorman, Herbert. "The Bohemian Life in America: Its History from the 1850s Down to Greenwich Village Days [book review]." The New York Times Book Review (5 March 1933): sec. 5, 1, repro.

1934

  • Jewell, Edward Alden. "Art of John Sloan on Exhibition Here [exh. review]." The New York Times (4 January 1934): 17.

1937

  • Jewell, Edward Alden. "The New York Realists: Whitney Museum Opens a Stirring Show of Painting from the Years1900-1914 [exh. review]." The New York Times (14 February 1937): sec. 10, 9, repro.

1938

  • Pach, Walter. Queer Thing, Painting: Forty Years in the World of Art. New York, 1938: opposite 21, 55-56, 213, repro.

1939

  • Mechlin, Leila. "Sloan Prints at Arts Club [exh. review]." The Washington Star (12 February 1939): sec. F, 4.

  • Lewis, Elisabeth Ray. "Museum Treasure of the Week: The Corcoran Gallery Collection in Review." The Washington Post (3 September 1939): sec. A, 5.

  • Poore, Charles. "John Sloan and His America." The New York Times (16 September 1939): 21.

  • Watson, Jane. "Corcoran Shows Work by John Sloan [exh. review]." The Washington Post (19 November 1939): Amusements sec., 6.

  • Mechlin, Leila. "Sloan Group in Corcoran, Eilshemius at Phillips Draw Local Attention [exh. review]." The Washington Star (19 November 1939): sec. F, 5.

1940

  • "Story of the Painting and Biography of the Artist." Washington Times-Herald (12 May 1940): sec. C, 11, repro.

  • Landgren, Marchal E. Years of Art: The Story of the Art Students League of New York. New York, 1940: pl. 16, repro.

1941

  • Saint-Gaudens, Homer. The American Artist and His Times. New York, 1941: 202, pl. 42, repro.

  • "Art Notes." The New York Times (13 March 1941): 26.

  • "Sloan Honored by 200 Friends and Ex-Pupils." New York Herald Tribune (8 April 1941): 21, repro.

  • "Art Dinner Honors Sloan." New York Times (8 April 1941): 22.

  • "Footnotes on Headliners: Party at Petitpas." The New York Times (April 13, 1941): sec. 2, 4.

  • Frankfurter, Alfred M. "Vernissage." Art News 40, no. 5 (April 15-30, 1941): 7.

1942

  • "Art Exhibits." This Week in the Nation's Capital 20, no. 27 (June 28, 1942): 6, repro.

1943

  • "Mrs. John Sloan Dies at 66, Wife of Noted Artist." New York Herald Tribune (May 5, 1943): 26, repro.

  • "Dolly, Wife of John Sloan, Dies at 66." Art Digest 17, no. 16 (May 15, 1943): 11.

1944

  • Lydia Creighton to John Sloan, 12 January 1944. The John Sloan Manuscript Collection, Delaware Art Museum, Wilmington.

1945

  • "Artists of the Philadelphia Press." Philadelphia Museum Bulletin 41, no. 207 (November 1945): 30, repro.

  • Mellquist, Jerome. "John Sloan Comes Home [exh. review]." Philadelphia Evening Bulletin (November 17, 1945): sec. 8, B, repro.

  • Sloan, John. John Sloan. New York, 1945: n.p., repro.

1946

  • Hone, Joseph, ed. J. B. Yeats: Letters to His Son W. B. Yeats and Others, 1869-1922. New York, 1946: 39, repro.

  • "News of Food: Petipas [sic] Restaurant Nearing Fiftieth Year." New York Times (January 14, 1946): 15.

  • Colum, Padraic. "Good Conversation in the Form of Letters [book review]." New York Herald Tribune Weekly Book Review (October 3, 1946): sec. VII, 3, repro.

  • Owen Grundy to John Sloan, n.d. The John Sloan Manuscript Collection, Helen Farr Sloan Library and Archives, Delaware Art Museum, Wilmington.

  • "Table Talk." Cue (9 February 1946): repro., newspaper clipping, Vertical Files, Smithsonian American Art and Portrait Gallery Library, Washington.

  • Owen Grundy to John Sloan, 24 February 1946. The John Sloan Manuscript Collection, Helen Farr Sloan Library and Archives, Delaware Art Museum, Wilmington.

  • Helen Sneddon to John Sloan, 16 November 1946. The John Sloan Manuscript Collection, Helen Farr Sloan Library and Archives, Delaware Art Museum, Wilmington.

1947

  • Corcoran Gallery of Art. Handbook of the American Paintings in the Collection of the Corcoran Gallery of Art. Washington, 1947: 14, 76, repro.

1948

  • Walker, Danton. "Cafe Cavalcade." The News (4 December 1948): newspaper clipping, Vertical Files, Smithsonian American Art and Portrait Gallery Library, Washington.

1950

  • Poore, Charles. "Rebel with a Paintbrush." New York Times Magazine (May 21, 1950): sec. IV, 64.

  • "Old Chelsea's Most Famous Painting." Chelsea News (New York) (27 January 1950): repro., newspaper clipping, Vertical Files, Smithsonian American Art and Portrait Gallery Library, Washington.

  • Shannon, Betty. "Chelsea was Never 'Arty' Says J. Sloan, Famous Painter." Chelsea News (New York) (9 February 1950): newspaper clipping, Vertical Files, Smithsonian American Art and Portrait Gallery Library, Washington.

  • Lewis, Emory. "Rebel John Sloan Won't Grow Old." Cue (1 April 1950): newspaper clipping, Vertical Files, Smithsonian American Art and Portrait Gallery Library, Washington.

1952

  • Brown, Milton. "The Two John Sloans [exh. review]." Art News 50, no. 9 (January 1952): 56.

  • Genauer, Emily. "Sloan Show at the Whitney Proves Him to Be More Than Mere Realist [exh. review]." New York Herald Tribune (January 13, 1952): sec. 4, 9, repro.

  • Breuning, Margaret. "Life Becomes Art in a John Sloan Retrospective [exh. review]." Art Digest 26, no. 8 (January 15, 1952): 8.

1954

  • Brooks, Van Wyck. Scenes and Portraits: Memories of Childhood and Youth. New York, 1954: 189.

  • McKinney, Roland. The Eight. Metropolitan Museum of Art Miniatures, Album ME. New York, 1954: no. 6, repro.

1955

  • Brooks, Van Wyck. John Sloan: A Painter's Life. New York, 1955: 103, opposite 108, repro.

1956

  • Tourtelot, Madeline. "Longtime 'Prime' Artists in Show [exh. review]." Chicago American (May 13, 1956): 21.

1957

  • Trovato, Joseph S. "Foreword." In Portraiture: The 19th and 20th Centuries. Exh. cat. Munson-Williams-Proctor Institute, Utica, NY, 1957: 6, 18, 32, repro.

1964

  • Pershing, Minnie K. "Mary Fanton Roberts." Journal of the Archives of American Art 4, no. 1 (January 1964): 10, repro.

1965

  • St. John, Bruce, ed. John Sloan's New York Scene, from the Diaries, Notes, and Correspondence, 1906-1913. New York, 1965: 445-447, 449-450, 464, repro.

1966

  • Green, Samuel M. American Art. New York, 1966: 522-523.

  • Harithas, James. "250 Years of American Art [exh. review]." Apollo 84, no. 53 (July 1966): 70, repro.

1970

  • Fish, Caroline. "Rediscovered in Chestertown." Adirondack Life 1, no. 4 (Fall 1970): 31-32, 42, repro.

1971

  • St. John, Bruce. John Sloan. American Art & Artists. New York, 1971: 50, fig. 36, repro.

  • Getlein, Frank. "Sloan, Old 'Revolutionary', Goes on Display at Gallery [exh. review]." Washington Star (September 19, 1971): sec. C, 7.

1972

  • Holcomb, Grant. "A Catalogue Raisonné of the Paintings of John Sloan, 1900-1913." Ph.D. diss., University of Delaware (1972): 440-444, repro.

1973

  • Phillips, Dorothy W. A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art, Vol. 2: Painters born from 1850 to 1910. Washington, 1973: 84-86, repro.

  • Young, Mahonri Sharp. The Eight. New York, 1973: 53, repro.

  • Gordon, Robert. "John Sloan and John Butler Yeats: Records of a Friendship." Art Journal 32, no. 3 (Spring 1973): 290-292, 296, repro.

1975

  • Getlein, Frank. "Bill Corcoran's Collection IS America." Art Gallery 18, no. 4 (January 1975): 21.

  • Scott, David W. John Sloan. New York, 1975: 103, 111, repro.

1976

  • Edmiston, Susan and Linda D. Cirino. Literary New York. Boston, 1976: 176, repro.

1977

  • Sloan, John. Gist of Art: Principles and Practice Expounded in the Classroom and Studio. New York, (1939) 1977: XXIV, XXV, repro.

1978

  • Gordon, Robert. John Butler Yeats and John Sloan: The Records of a Friendship. New Yeats Papers 14. Dublin, 1978: 12-13, 24, 26 no. 1, 28 no. 18, pl. 1, repro.

1980

  • Monneret, Sophie. L'Impressionnisme et Son Epoque. Paris, 1980: 2: 275; 4: 129, repro.

  • Getlein, Frank and Jo Ann Lewis. The Washington, D.C. Art Review: The Art Explorer's Guide to Washington. New York, 1980: 14.

1983

  • Himber, Alan, ed. The Letters of John Quinn to William Butler Yeats. Ann Arbor, MI, 1983: 272, 276 no. 7.

  • Holcomb, Grant. "John Sloan and 'McSorley's Wonderful Saloon.'" American Art Journal 15, no. 2 (Spring 1983): 5.

1985

  • Love, Richard H. Theodore Earl Butler: Emergence from Monet's Shadow. Chicago, 1985: 332-333, repro.

1987

  • Cullen, Fintan. The Drawings of John Butler Yeats. Exh. cat. Albany Institute of History & Art and the Department of the Arts, and the Department of English of Union College, Albany, NY, 1987: William M. Murphy, "John Butler Yeats: The Artist and the Man," 15; Cullen, "'To So Paint That People Should, Perforce, See...'," 29, 30, repro; Cullen, "John Butler Yeats, Celestine Petitpas [cat. entry]," 92.

1988

  • Berman, Avis. "Artist as Rebel: John Sloan Versus the Status Quo [exh. review]." Smithsonian Magazine 19, no. 1 (April 1988): 81, repro.

  • Gordon, Robert. "Letter to the Editor." Smithsonian Magazine 19, no. 3 (June 1988): 20, 21, repro.

1989

  • Tsuda, Margaret. "Master of the 'Ashcan School.'" Christian Science Monitor (August 28, 1989): 16-17, repro.

1990

  • Sullivan, Charles, ed. Ireland in Poetry: With Paintings, Drawings, Photographs, and Other Works of Art. New York, 1990: 152, repro.

1991

  • Wexler, Victor G. "Creating a Market in American Art: The Contribution of the Macbeth Gallery." Journal of American Studies 25, no. 2 (August 1991): 252, repro.

  • Elzea, Rowland. John Sloan's Oil Paintings: A Catalogue Raisonné. American Arts Series. Newark, DE, 1991: part 1, 106-107, repro.

1992

  • Beck, Hubert. Edward Hopper. Hamburg, Germany, 1992: 20, repro.

  • Beck, Hubert. "Urban Iconography in Nineteenth-Century American Painting." In American Icons: Transatlantic Perspectives on EIghteenth- and Nineteenth-Century American Art, ed. by Thomas W. Gaehtgens and Heinz Ickstadt. Santa Monica, CA, 1992: 340-341, repro.

1993

  • Sprague, Claire, ed. Van Wyck Brooks: The Early Years, rev. ed. Boston, 1993: cover of paperback edition, 62 fig. 2, repro.

1994

  • Hirshorn, Anne Sue. Eulabee Dix Portrait Miniatures: An American Renaissance. Exh. cat. National Museum of Women in the Arts, Washington, D.C. 1994: 15.

1995

  • Loughery, John. John Sloan: Painter and Rebel. New York, 1995: xxii, 161-162, 170, 290, 317, 323, 333, 384.

1997

  • Perlman, Bennard B., ed. Revolutionaries of Realism: The Letters of John Sloan and Robert Henri. Princeton, 1997: 203, 206, repro.

  • Ridley, Jo Ann. Looking for Eulabee Dix: The Illustrated Biography of An American Miniaturist. Washington, DC, 1997: 122-126, 143, 165, repro.

  • Bradely, Anthony and Maryann Gialanella Valiulis, eds. Gender and Sexuality in Modern Ireland. Amherst, MA, 1997: cover, repro.

1998

  • Lewis, Jo Ann. "The Corcoran Biennial: Delivery on Collection [exh. review]." Washington Post (July 19, 1998): sec. G, 1.

  • Kazin, Alfred. "The Art City Our Fathers Built." American Scholar 67, no. 2 (Spring 1998): 22.

2000

  • Cash, Sarah, with Terrie Sultan. American Treasures of the Corcoran Gallery of Art. New York, 2000: 159, 169, repro.

2002

  • Moss, Dorothy. "Yeats at Petitpas." In A Capital Collection: Masterworks from the Corcoran Gallery of Art, by Eleanor Heartney et al. Washington, DC, 2002: 102-103, repro.

2003

  • Londraville, Janis, ed. Prodigal Father Revisited: Artists and Writers in the World of John Butler Yeats. West Cornwall, Connecticut, 2003: William M. Murphy, "The Letters of John Butler Yeats: A Sampler," 14; Paul Franklin, "Pilgrim Father, Native Son: John Butler Yeats, John Sloan, and the Making of a Friendship in New York City, 1909-1922," 289-293, 295-296, repro.; Nancy Cardozo, "Van Wyck Brooks and His Maestro, John Butler Yeats or, The American Literary Renaissance," 378.

2004

  • Meng, Sara F. "Peggy Bacon and John Sloan: Their Urban Scenes, 1910-1928." Woman's Art Journal 25, no. 1 (Spring/Summer 2004): 22.

2006

  • "Mint Museum to Host Master Paintings from the Corcoran Gallery." Antiques and the Arts Weekly (6 October 2006): 17.

2007

  • Morrone, Francis. "A Knock-Out Show [exh. review]." New York Sun (29 November 2007).

  • Manthorne, Katherine E. "John Sloan, Moving Pictures, and Celtic Spirits." In Heather Campbell Coyle and Joyce Karen Schiller, John Sloan's New York. Exh. cat. Delaware Art Museum, Wilmington, 2007: 169-170, repro.

2009

  • Berman, Avis. "Yeats at Petitpas': The path to a picture." In Declan J. Foley, ed. The Only Art of Jack B. Yeats: Letters & Essays. Dublin, 2009: 118-119, 123-124, 126, repro.

2011

  • Napolitano, Laura Groves. "John Sloan, Yeats at Petitpas'." In Corcoran Gallery of Art: American Paintings to 1945. Edited by Sarah Cash. Washington, 2011: 200-201, 277, repro.

  • Lyons, Deborah. The World of William Glackens: The C. Richard Hilker Art Lectures. New York, 2011: 79, 98-100, repro.

  • Stuhlman, Jonathan. "Before Corrymore: Irish Images and Influences in New York." In Jonathan Stuhlman and Valerie Ann Leeds, From New York to Corrymore: Robert Henri and Ireland. Exh. cat. The Mint Museum, Charlotte, 2011: 31, repro.

2012

  • Berman, Avis. "The Catalyst: John Sloan's Yeats at Petitpas'." Antiques 179, no. 2 (March/April 2012): 125, 127-129, repro.

Inscriptions

lower right: John Sloan

Wikidata ID

Q46632972

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