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in standard script on the base in underglaze blue in three vertical columns of two characters each: Da Qing Kangzi nian zhi (made in the Kangzi reign of the great Qing dynasty)


Marsden J. Perry [1850-1935], Providence, Rhode Island. J. Pierpont Morgan [1837-1913], New York. (Duveen Brothers, New York); sold to Peter A. B. Widener, Elkins Park, Pennsylvania; inheritance from Estate of Peter A. B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park; gift 1942 to NGA.

Exhibition History
The Metropolitan Museum of Art, New York, c. 1910-1911.
Morgan 1904-1911, 2:80, no. 1324, pl. 123 (top left).
Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 21.
Christensen, Erwin O. Chinese Porcelains of the Widener Collection. Washington, 1947 (rev. ed. 1956): 30; 1956, 34.
Chait, Ralph M. "The Eight Prescribed Peachbloom Shapes Bearing Kanh-hsi Marks." Oriental Art 3 (Winter 1957): 130-137 repro. 137.
Bower, Virginia, Josephine Hadley Knapp, Stephen Little, and Robert Wilson Torchia. Decorative Arts, Part II: Far Eastern Ceramics and Paintings; Persian and Indian Rugs and Carpets. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1998: 58-60, color repro.
Technical Summary

Residue of vermilion seal paste adheres to the biscuit area of closure. A hairline crack on the closing edge of the lower part of the box is filled with red pigment; it may be an old crack that developed while the piece was in use. The cobalt blue of the closely spaced characters of the mark is clear and strong.