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Inscription

across bottom: MATHEVS OLIVIERI D[OMO]NI IOANNI FILI[US] (Matteo Olivieri, son of Giovanni)

Provenance

(Stefano Bardini [1836-1922], Florence); sold 1924 to (Duveen Brothers, Inc., London and New York);[1] purchased 15 December 1936 by The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[2] gift 1937 to NGA.

Exhibition History

1927
Fifth Loan Exhibition of Old and Modern Masters, Detroit Institute of Arts, 1927, no. 23, as by Domenico Veneziano.

Bibliography

1907
Pudelko, Georg. “Paolo Uccello.” In Ulrich Thieme and Felix Becker, eds. Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. 37 vols. Leipzig, 1907-1950: 33(1939):535, as by Paolo Uccello.
1930
Venturi, Lionello. “Paolo Uccello.” L’Arte n.s. 1 (January 1930): 63-64, as by Paolo Uccello.
1931
Hendy, Philip. Catalogue of the Exhibited Paintings and Drawings. Boston, 1931: 236.
1931
Venturi, Lionello. Pitture italiane in America. Milan, 1931: pl. 164, as by Paolo Uccello.
1932
Marangoni, Matteo. “Una predella di Paolo Uccello.” Dedalo 12 (May 1932): 336, as by Paolo Uccello.
1933
Boeck, Wilhelm. “Uccello Studien.” Zeitschrift für Kunstgeschichte 2 (1933): 270-271, 272, fig. 15, as by Paolo Uccello
1933
Venturi, Lionello. Italian Paintings in America. Translated by Countess Vanden Heuvel and Charles Marriott. 3 vols. New York and Milan, 1933: 2:pl.196, as by Paolo Uccello.
1934
Paatz, Walter. “Una Natività di Paolo Uccello alcuni considerazioni sull’arte del maestro.” Rivista d’Arte 16 (1934): 16, 20-21, as by Paolo Uccello.
1934
Pudelko, Georg. “Studien über Domenico Veneziano.” Mitteilungen des Kunsthistorischen Institutes in Florenz 4 (January 1934): 165-166, as by Paolo Uccello.
1934
Pudelko, Georg. “The Early Works of Paolo Uccello.” The Art Bulletin 16, no. 3 (1934): 249, 252, fig. 17, as by Paolo Uccello.
1935
Pudelko, Georg. “Florentiner Porträts der Renaissance.” Pantheon 15 (1935): 95, as by Paolo Uccello.
1936
Lipman, Jean. “The Florentine Profile Portrait in the Quattrocento.” The Art Bulletin 18, no. 1 (1936): 68, 75, 79, 95, 101, as by Paolo Uccello.
1936
Salmi, Mario. Paolo Uccello, Andrea del Castagno, Domenico Veneziano. Rome, 1936: 98, 123, pl. 160, as by Domenico Veneziano.
1937
Cortissoz, Royal. An Introduction to the Mellon Collection. Boston, 1937: 16.
1938
Kennedy, Ruth Wedgwood. Alesso Baldovinetti, a critical & historical study. New Haven, 1938: 200 n. 6, as by Paolo Uccello.
1938
Salmi, Mario. Paolo Uccello, Andrea del Castagno, Domenico Veneziano. 2nd ed. Rome, 1938: 130, 173, pl. 160, as by Domenico Veneziano.
1938
Wackernagel, Martin. Der Lebensraum des Künstlers in der florentinischen Renaissance. Leipzig, 1938: 127.
1939
Arslan, Edoardo. “Review of Mario Salmi, Paolo Uccello (1936).” Zeitschrift für Kunstgeschichte 8 (1939): 314-315.
1939
Boeck, Wilhelm. Paolo Uccello. Berlin, 1939: 120, as by Paolo Uccello.
1941
Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: no. 41, repro., attributed to Domenico Veneziano, as Portrait of Giovanni Olivieri.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 57, no. 15, as by Domenico Veneziano.
1941
Wackernagel, Martin. “Paolo Uccello.” Pantheon 27 (May 1941): 104-105, as by Paolo Uccello (?).
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 239, repro. 98, as by Domenico Veneziano.
1948
Antal, Frederick. Florentine Painting and its Social Background: The Bourgeois Republic before Cosimo de’ Medici’s Advent to Power, XIV and XV Centuries. London, 1948: 360, as by Paolo Uccello.
1948
Salmi, Mario. Masaccio. 2nd ed. Rome, 1948: 175, as by Domenico Veneziano.
1949
Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 10, repro., as by Domenico Veneziano
1949
Somaré, Enrico. Uccello. Milan, 1949: 39.
1950
Bodmer, Heinrich. “Eine Hochzeitstruhe des Domenico Veneziano.” In Jahresgabe 1950 des Bodmer-Familien-Fonds in Zürich. Zurich, 1950: 12, as by Domenico Veneziano.
1950
Pope-Hennessy, John. The Complete Work of Paolo Uccello. London, 1950: 148, fig. 8, as probably by Domenico Veneziano.
1951
Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 40 n. 1.
1952
Longhi, Robert. "Il maestro di Pratovecchio." Paragone 25, no. 25 (1952): 33 n. 11, as Copy of Domenico Veneziano.
1954
Berti, Luciano. “Notizia di Domenico Veneziano.” In Mostra di quattro maestri del primo Rinascimento. Exh. cat. Palazzo Strozzi, Florence, 1954: 80, 82.
1957
Sindona, Ennio. Paolo Uccello. Milan, 1957: 58-59, pl. 34, as by Paolo Uccello.
1959
Carli, Enzo. Tutta la pittura di Paolo Uccello . 2nd ed. Milan, 1959: 69, pl. 122, as Circle of Domenico Veneziano.
1963
Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 1:62. 2:pl.704, as by Domenico Veneziano.
1964
Berti, Luciano. Masaccio. Milan, 1964: 82.
1965
Hatfield, Rab. “Five Early Renaissance Portraits.” The Art Bulletin 47, no. 3 (1965): 316, 326-327, 330, fig. 9, as by Domenico Veneziano (?).
1965
Mallé, Luigi. “Appunti albertiani in margine al ‘Della pittura’.” Arte Lombarda 10 (1965): 215, as by Domenico Veneziano.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 42, as by Domenico Veneziano.
1966
Pope-Hennessy, John. The Portrait in the Renaissance. London and New York, 1966: 36-37, 40 n. 55, 307-308, as by Domenico Veneziano.
1968
Gilbert, Creighton. “The Renaissance Portrait.” Review of John Pope-Hennessy, The Portrait in the Renaissance (1963). The Burlington Magazine 110 (May 1968): 283.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 35, repro., as by Domenico Veneziano.
1969
Pope-Hennessy, John. Paolo Uccello: Complete Edition. London and New York, 1969: 149, fig. 8, as probably by Domenico Veneziano.
1971
Tongiorgi Tomasi, Lucia, and Ennio Flaiano. L’opera completa di Paolo Uccello. Milan, 1971: 87, repro.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 123, 645, as Copy after Masaccio.
1974
Hendy, Philip. European and American Paintings in the Isabella Stewart Gardner Museum. Boston, 1974: 160.
1974
Parronchi, Alessandro. Paolo Uccello. Bologna, 1974: 49, pl. 94, as by Paolo Uccello.
1975
De Logu, Giuseppe, and Guido Marinelli. Il ritratto nella pittura italiana. 2 vols. Bergamo, 1975: 236.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 108, repro., as by Domenico Veneziano.
1977
Ragghianti, Carlo. Filippo Brunelleschi, un uomo, un universo. Florence, 1977: 111, as by Domenico Veneziano.
1978
Sleptzoff, L. M. Men or Supermen? The Italian Portrait in the Fifteenth Century. Jerusalem, 1978: 47, as by Domenico Veneziano (?).
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. Washington, 1979: 1:182-184; 2:pl. 127, as Matteo Olivieri (?).
1980
Wohl, Hellmut. The Paintings of Domenico Veneziano. Oxford, 1980: 1:138-140; 2: pl. 127, as Workshop of Domenico Veneziano.
1984
Sokolowski, Thomas W., and Thomas W. Styron. From Veneziano to Pollock: Masterworks Donated to the Chrysler Museum by Walter P. Chrysler, Jr. Nortfolk, VA, 1984: 7, as by Domenico Veneziano.
1985
Boehm, Gottfried. Bildnis und Individuum. Über den Ursprung der Porträtmalerei in der italienischen Renaissance. Munich, 1985: 210-211, as Workshop of Domenico Veneziano.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 153, repro.
1988
Berti, Luciano, et al. Masaccio. Florence, 1988: 33.
1990
Damian, Véronique. Peintures Florentines. Collections du Musée de Chambéry. Chambéry, 1990: 103.
1990
Dühlberg, Angelica. Privatporträts. Geschichte und Ikonologie einer Gattung im 15. und 16. Jahrhundert. Berlin, 1990: 73, 226, as doubtfully by Domenico Veneziano.
1991
Cole, Bruce. Piero della Francesca: Tradition and Innovation in Renaissance Art. New York, 1991: 16, as by Domenico Veneziano.
1991
Harrison, Jefferson C. The Chrysler Museum. Handbook of the European and American Collections: Selected Paintings, Scupture and Drawings. Norfolk, VA, 1991: 3, as Attributed to Domenico Veneziano.
1991
Paolieri, Annarita. Paolo Uccello, Domenico Veneziano, Andrea del Castagno. Florence, 1991: 10, 40, as by Domenico Veneziano (?).
1992
Borsi, Franco, and Stefano Borsi. Paolo Uccello. Milan, 1992: 344, repro., as Attributed to Domenico Veneziano.
1993
Acidini Luchinat, Cristina. Benozzo Gozzoli: La cappella dei Magi. Milan, 1993: 369 n. 3.
1993
Joannides, Paul. Masaccio and Masolino. A Complete Catalogue. London, 1993: 461.
1996
Christiansen, Keith. "Domenico Veneziano." In Jane Turner, ed. The Dictionary of Art. 34 vols. New York and London, 1996: 9:103, as "may reasonably be attributed to Domenico [Veneziano]."
1997
Boskovits, Miklós. “Studi sul ritratto fiorentino quattrocentesco. Parte I” Arte Cristiana 85, no. 781 (July-August 1997): 256-257, fig. 3, as by an Anonymous Florentine c. 1440, close to the Master of the Castello Nativity.
1998
Penny, Nicholas. “The Study and Imitation of Old Picture-Frames.” The Burlington Magazine vol. 140, no. 1143 (June 1998): 378, fig. 28.
1999
Holmes, Megan. Fra Filippo Lippi, The Carmelite Painter. New Haven and London, 1999: 129, fig. 122.
2000
Fahy, Everett. Dipinti, disegni, miniature, stampe: L'Archivio storico fotografico di Stefano Bardini. Florence, 2000: 20, as by Domenico Veneziano.
2000
Wright, Alison. “The Memory of Faces: Choices in Portraiture.” In Giovanni Ciappelli and Patricia Lee Rubin, eds. Art, Memory, and Family in Renaissance Florence. Cambridge, 2000: 92, fig. 14.
2003
Boskovits, Miklós, David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, 2003: 266-270, color repro.
2006
Fahy, Everett. "Early Italian paintings in Washington and Philadelphia." The Burlington Magazine 148, no. 1241 (August 2006): 540.
2008
Hudson, Hugh. Paolo Uccello: Artist of the Florentine Republic. Saarbrücken, 2008: 337-338, cat. 69.
2012
Natali, Antonio, Enrica Neri Lusanna, and Angelo Tartuferi, eds. Bagliori dorati: Il Gotico Internazionale a Firenze 1375-1440. Exh. cat. Galleria degli Uffizi, Florence, 2012: 232.
2013
Campbell, Stephen J. and Michael W. Cole. Italian Renaissance Art. New York, 2013: 155-156, color fig. 6.31.
2014
Chiodo, Sonia, and Serena Padovani, eds. The Alana Collection, Newark, Delaware, USA. Vol. III: Italian Paintings from the 14th to 16th Century. Florence, 2014: 258.
2017
Serres, Karen. "Duveen's Italian framemaker, Ferruccio Vannoni." The Burlington Magazine 159, no. 1370 (May 2017): 373, fig. 14.
2017
Strehlke, Carl Brandon. "Fra Filippo e Masaccio." In Enrico Parlato, ed. Altro Rinascimento. Il giovane Filippo Lippi e la Madonna di Tarquinia. Exh. cat. Palazzo Barberini, Rome, 2017: 47 n. 28.

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