Provenance
Probably purchased in Italy by Robert Curzon, later 14th baron Zouche [1810-1873], Pelham Park, Pulborough, Sussex; by inheritance to his son, Robert Nathaniel Cecil George Curzon, 15th baron Zouche [1851-1914], Pelham Park; by inheritance to the latter's sister, Darea Curzon, Baroness Zouche [1860-1917]; by inheritance to her cousin, Mary Cecil Frankland, Baroness Zouche [1875-1937]; sold 1920 to (Thomas Agnew & Sons, London); sold 1924 to (C. Morland Agnew and Ansdell, London).[1] (Count Alessandro Contini Bonacossi, Rome); purchased October 1929 by the Samuel H. Kress Foundation, New York;[2] gift 1939 to NGA.
Bibliography
- 1941
- Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 134, no. 140.
- 1942
- Book of Illustrations. National Gallery of Art, Washington, 1942: 242, repro. 154.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 93.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 82, repro.
- 1968
- Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 57, fig. 135.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 244, repro.
- 1979
- Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. Washington, 1979: 1:334-335; 2:pl. 243.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 283, repro.
- 2003
- Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 526-529, color repro.
