lower right in pastel: EVERETT SHINN / 99; upper right verso in graphite by unknown hand: 12000.00; blue label affixed upper center verso (inscribed): Maurice B. Silverman / 93152/01
Marks and Labels
stamped center left verso in black ink: Winsor & Newton's / Illustration Board / London & New York.
Scribner's and Sons, New York; (Hirschl & Adler Galleries, New York); Corcoran Gallery of Art, Washington, DC, 1975; acquired 2015 by the National Gallery of Art
- American Pastels from the Corcoran Collection, Corcoran Gallery of Art, Washington, DC, 1978
- Recent Acquisitions: Drawings, Corcoran Gallery of Art, Washington, DC, 1979
- Acquisitions Since 1975, Corcoran Gallery of Art, Washington, DC, 1982-1983
- Metropolitan Lives: The Ashcan Artists and Their New York, National Museum of American Art, Smithsonian Institution, Washington, DC, 1995-1996, pp. 13, 71-72, fig. 69, repro
- American Landscape: Drawings and Watercolors from the Permanent Collection, Corcoran Gallery of Art, Washington, DC, 2006
- Impressionism, Realism, Modernism: Works on Paper from the American Collection, Corcoran Gallery of Art, Washington, DC, 2007
- Scribner's Magazine 28 (November 1900): p. 574.
- Simmons, Linda Crocker and with the assistance of Adrianne J. Humphrey, et al. American Drawings, Watercolors, Pastels, and Collages in the Collection of the Corcoran Gallery of Art. Washington, DC: Corcoran Gallery of Art, 1983: p. 168, no. 1145.
- Yount, Sylvia L. "Consuming Drama: Everett Shinn and the Spectacular City." American Art 6, no. 4 (Fall 1992): pp. 87, 99.
- Coyle, Heather Campbell, and Joyce Karen Schiller. John Sloan's New York. Wilmington: Delaware Art Museum, 2007, pp. 85-86, fig. 66.
- Bland, Bartholomew F., and Kirsten M. Jensen, eds. Industrial Sublime: Modernism and the Transformation of New York's Rivers, 1900-1940. New York: Fordham University Press, 2013, pp. 36-37, fig. 18.
- Robinson, Joyce Henri, ed. A Gift from the Heart: American Art from the Collection of James and Barbara Palmer. University Park, Pennsylvania: Palmer Museum of Art, 2013: p. 36, fig. 3.