Inscription
on top of base near dancer's left foot: PAUL MANSHIP / [copyright symbol] 1916; on top of base near back right corner: ROMAN BRONZE WORKS N.Y.
Marks and Labels
FM: Roman Bronze Works
Provenance
The artist [1885-1966]; purchased 5 January 1920 by the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art.
Exhibition History
- 1917
- Winter Exhibition, National Academy of Design, New York, 1917-1918, no. 13, repro.
- 1918
- An Exhibition of American Sculpture, The Metropolitan Museum of Art, New York, 1918-1919, no. 53, repro., as Girl with Gazelles.
- 1919
- Possibly First Annual Exhibition: Contemporary International Art, Dallas Art Association at the Adolphus Hotel, 1919, no. 122, as Dancing Girl and Gazelles.[1]
- 1920
- Exhibition of Works in Sculpture by Paul Manship, Corcoran Gallery of Art, Washington, 1920, no. 38.
- 1937
- Special Exhibition of Sculpture by Paul Manship, Corcoran Gallery of Art, Washington, 1937, no. 67, repro.
- 1958
- A Retrospective Exhibition of Sculpture by Paul Manship, National Collection of Fine Arts, Smithsonian Institution, Washington, 1958, no. 89.
- 1963
- Four Centuries of American Art, Minneapolis Institute of Arts, 1963-1964, unnumbered catalogue.
- 1966
- Past and Present: 250 Years of American Art, Corcoran Gallery of Art, Washington, 1966, unpublished checklist.
- 1976
- 200 Years of American Sculpture, Whitney Museum of American Art, New York, 1976, no. 156, pl. 36.
- 2002
- Picturing the Corcoran's Sculpture: Photographs by David Finn, Corcoran Gallery of Art, Washington, 3 November - 30 December 2002.
Exhibition History Notes
[1] The version of the sculpture illustrated in the exhibition catalogue is not the NGA sculpture, as the gazelle on the right has horns. An exhibition review in the Dallas Morning News includes an installation photograph that shows the full-size version without horns, but it is not clear if the sculpture is plaster or bronze.
Bibliography
- 1917
- Cortissoz, Royal. "The Present State of American Painting: How it is Illustrated in the Winter Exhibition of the Academy of Design -- The Apparent Answer to Modernism." New York Tribune (December 1971): 3.
- 1917
- Gallatin, A.E. Paul Manship: A Critical Essay on His Sculpture and an Iconography. New York, 1917: 5, 15.
- 1917
- Kobbe, Gustave. "Noteworthy Works of Art in National Academy's Exhibition with one of Mr. Sargent's "Rockefellers" in place of Honor." New York Herald ( December 1917): 8.
- 1967
- Dodd, Loring Holmes. Golden Moments in American Sculpture. Cambridge, MA, 1967: 73.
- 1984
- Craven, Wayne. Sculpture in America. Newark and New York, 1984: 566, fig. 15.6.
- 1993
- Rather, Susan. Archaism, Modernism, and the Art of Paul Manship. Austin, 1993: 117.
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