Probably Del Nero family, Florence, and, by descent, to Baron Cerbone Del Nero [1756-1816]; by inheritance to his widow, Ottavia Torrigiani [1758-1825], and her brother, Marquis Pietro Torrigiani [1773-1848], Palazzo Torrigiani (formerly Del Nero), Florence; by inheritance to his son, Marquis Luigi Torrigiani [1804-1869], Palazzo Torrigiani; by inheritance to one of his sons, probably Raffaele Torrigiani [1853-1927], Palazzo Torrigiani; acquired by (Charles Fairfax Murray, London and Florence) on joint account with (Thomas Agnew & Sons, Ltd., London); sold 1896 to Rodolphe Kann [1846-1905], Paris; (Duveen Brothers, Inc., London and New York) and (Nathan Wildenstein, Paris); sold 1907 to J. Pierpont Morgan [1837-1913], New York; by inheritance to his son, J. Pierpont Morgan, Jr. [1867-1943], New York; on consignment 1935 with (M. Knoedler & Co., New York and London); purchased February 1935 by Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 1 May 1937 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1937 to NGA.
Associated NamesAgnew & Sons, Ltd., Thomas
Del Nero, Cerbone, Baron
Del Nero, Ottavia
Duveen Brothers, Inc.
Knoedler & Company, M.
Mellon Educational and Charitable Trust, The A.W.
Mellon, Andrew W.
Morgan, Jr., John Pierpont
Morgan, Sr., J. Pierpont
Murray, Charles Fairfax
Torrigiani, Luigi, Marquis
Torrigiani, Pietro, Marquis
Wildenstein & Co., Inc.
- Loan Exhibition of Italian Primitives, F. Kleinberger Galleries, New York, 1917, no. 21, repro.
- Fiftieth Anniversary Exhibition, The Metropolitan Museum of Art, New York, 1920, unnumbered catalogue.
- Loan Exhibition of the Arts of the Italian Renaissance, The Metropolitan Museum of Art, New York, 1923, no. 1.
- Loan Exhibition of Important Early Italian Paintings in the Possession of Notable American Collectors, Duveen Brothers, New York, 1924, no. 32 (no. 8 in illustrated 1926 version of catalogue).
- Fifteenth Century Portraits, M. Knoedler & Co., New York, 1935, no. 5, repro.
- The Twentieth Anniversary Exhibition of the Cleveland Museum of Art. The Official Art Exhibit of the Great Lakes Exposition, 1936, no. 118.
- Berenson and the Connoisseurship of Italian Painting, National Gallery of Art, Washington, D.C., 1979, no. 110, repro.
- The Portrait in Renaissance Italy: From Masaccio to Bellini, Gemäldegalerie, Staatliche Museen zu Berlin; The Metropolitan Museum of Art, New York, 2011-2012, no. 21, repro.
- Bode, Wilhelm von. Gemälde-sammlung des Herrn Rudolf Kann in Paris. Vienna, 1900: xxvi-xxvii, pl. 76.
- Valentiner, Wilhelm R., ed. Unknown Masterpieces in Public and Private Collections. London, 1930: n.p., pl. 11.
- Jewell, Edward Alden. "Mellon's Gift." Magazine of Art 30, no. 2 (February 1937): 73, 79, repro.
- Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: no. 55, repro.
- Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 157-158, no. 17, as by Antonio Pollaiuolo.
- Book of Illustrations. National Gallery of Art, Washington, 1942: 239, repro. 171, as by Antonio Pollaiuolo.
- Cairns, Huntington, and John Walker, eds. Masterpieces of Painting from the National Gallery of Art. New York, 1944: 36, color repro., as by Antonio Pollaiuolo.
- Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 21, repro., as by Antonion Pollaiuolo.
- Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 44-47, repro., as by Antonio Pollaiulo.
- Walker, John. National Gallery of Art, Washington. New York, 1956: 18, repro., as by Pollaiuolo.
- Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 61.
- Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 299, repro.
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 24.
- Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:38, color repro.
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 17, repro.
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 58, repro.
- Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. Washington, 1979: 1:127-129; 2:pl. 88.
- Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 22, pl. 5.
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 76, no. 24, color repro.
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 77, repro.
- Mündler, Otto. "The Travel Diaries of Otto Mündler." Ed. Carol Togneri Dowd. Walpole Society 51 (1985): 132, 310.
- Boskovits, Miklós, David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, 2003: 588-595, color repro., as Attributed to Piero del Pollaiuolo.
- Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 18, no 11, color repro.
- Schumacher, Andreas, et al. Botticelli: Likeness, Myth, Devotion. Exh. cat. Städel Museum, Frankfurt am Main, 2009: 27, fig. 13, as by Piero del Pollaiolo (?).
- Johnson, Ken. “Getting Personal.” New York Times 161, no. 55,628 (December 23, 2011): C27, C30, color repro.
- Butterfield, Andrew. "They Clamor for Our Attention." (Review of The Renaissance Portrait from Donatello to Bellini, Berlin and New York, 2011-2012.) The New York Review of Books 59, no. 4 (March 8, 2012): 10, color repro.
- Tonkovich, Jennifer. “Discovering the Renaissance: Pierpont Morgan’s Shift to Collecting Italian Old Masters.” In A Market for Merchant Princes: Collecting Italian Renaissance Paintings in America ed. Inge Reist. (The Frick Collection Studies in the History of Art Collecting in America, 2) University Park, Pennsylvania, 2015: 43.
- Madersbach, Lukas. "'fatto alla spera'? Das Porträt des Leon Battista Alberti aus den Orti Oricellari." Mitteilungen des Kunsthistorischen Institutes in Florenz 58, no. 3 (2016, published February 2017): 319-347, esp. 337 fig. 16.