Outward Bound

1894, printed 1895/1896

Alfred Stieglitz

Associated Names
Alfred Stieglitz

Artist, American, 1864 - 1946

The image shows a woman standing on a ship's deck. She is leaning against the railing, slightly angled towards the camera. The woman has a composed expression with her hair styled up and a decorative element in it. She is wearing a long, dark coat with voluminous sleeves, possibly trimmed with fur, and a long skirt. Her hands are tucked into the coat or gloves. The background shows water, the ship's deck, and railings under a neutral sky.

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Artwork overview

  • Medium

    platinum print

  • Credit Line

    Alfred Stieglitz Collection

  • Dimensions

    sheet (trimmed to image): 20.1 × 15.4 cm (7 15/16 × 6 1/16 in.)
    page size: 34.8 × 27 cm (13 11/16 × 10 5/8 in.)

  • Accession Number

    1949.3.96

  • Volume Title

    Sun Prints, 4

  • Stieglitz Estate Number

    75A

    Part of Stieglitz Key Set Online Edition

    Learn more

  • Key Set Number

    113

Associated Artworks

See all 34 artworks
This is a photograph of two oxen yoked together in a field. The image depicts two oxen standing side by side in a field with a dirt-covered ground. The oxen are fitted with harnesses and a yoke. The background shows a distant horizon. The photo is in a grainy sepia tone.

An Idyll

Alfred Stieglitz

1887

The image shows a body of water with mountains in the distance. The point of view is elevated, capturing the shoreline and the water. A person leans towards a cow, holding its halter by the rocky shore. The horizon is high in the image, with the mountains forming a dark outline against the sky. The mountains appear as a soft silhouette due to the diffuse lighting. The image has a grainy and vintage texture. The color palette is monochromatic, with shades of gray and sepia. A small boat with figures is on the water, and a larger vessel is docked to the right.

The Unwilling Bath

Alfred Stieglitz

1887

This is an image of a blacksmith workshop. It shows a scene in front of a rustic building with textured stonework and arched doorways. There is a blacksmith’s anvil in the center, along with tools and a vice on a wooden bench. The entrance has an intricately carved arch. To the right, there’s a cart wheel, and sunlight casts shadows across the cobblestone. The setting conveys a sense of historical craftsmanship and rural life, with deep contrast and details in the photograph bringing out the texture of the building and ground.

Before the Smithy's

Alfred Stieglitz

1890

The image shows a man leaning his head on his hand, positioned with his face resting on his left hand. He has a mustache, thin-framed eyeglasses, and thick, greying hair that curls slightly at the edges. He is dressed in a formal jacket, a white shirt, and a black bow tie. The background is a soft, dark blur.

Alfred Stieglitz

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Artwork history & notes

Provenance

Georgia O'Keeffe; gift to NGA, 1949.

Associated Names

Bibliography

2002

  • Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 113.

Inscriptions

by Alfred Stieglitz, on interleaving tissue, lower right, in graphite: Outward Bound / 1894

Wikidata ID

Q64037628

Scholarly Remarks and Key Set Data

Remarks

Lotta Linthicum, an upcoming actor known as Lottie or Lotte (as inscribed on the print at New Haven), was a passenger on board the S.S. Bourgogne.

For more information about this photograph, see Key Set number 112.

Stieglitz Collections

A corresponding print was given to the following institution(s) by Alfred Stieglitz during his lifetime, or was received or acquired from the estate:

Beinecke Rare Book and Manuscript Library, Yale University, New Haven, YCAL MSS 85, box 132 [lantern slide] (inscribed: Outward Bound [Miss Linthicum on the Bourgogne])

Other Collections

Worcester Art Museum, 2003.117

Location unknown

Lifetime Exhibitions

A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:

1898, London, R.P.S. (no. 384, as Outward Bound, carbon)
1899, New York (no. 4, as Outward Bound, 1894–1897, carbon direct)

Lifetime Publications

A reproduction of this work appeared in the following publication(s) during Alfred Stieglitz’s lifetime:

George Davison, “Focusing,” The American Amateur Photographer 6:12 (December 1894): 541 (ill., Outward Bound)

Alfred Stieglitz, “A Plea for a Photographic Art Exhibition,” The American Annual of Photography and Photographic Times Almanac for 1895 (New York, 1894) : opp. 27 (ill., Outward Bound, colored halftone)

The American Amateur Photographer 7:10 (October 1895): 436 (ill., Outward Bound)

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