A Venetian Street

1894, printed 1895/1896

Alfred Stieglitz

Associated Names
Alfred Stieglitz

Artist, American, 1864 - 1946

The image depicts a narrow canal with weathered buildings on each side. There is a small arched bridge in the distance, aligning with the horizon where the buildings meet the sky. The scene has a soft focus with light and shadow transitions, showcasing the texture of the facades. The color palette is muted sepia. Boats are tied along the canal, reflecting in the water. The canal narrows towards the back, emphasizing the distant bridge.

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Artwork overview

  • Medium

    platinum print

  • Credit Line

    Alfred Stieglitz Collection

  • Dimensions

    sheet (trimmed to image): 20.7 × 16 cm (8 1/8 × 6 5/16 in.)
    page size: 34.8 × 27 cm (13 11/16 × 10 5/8 in.)

  • Accession Number

    1949.3.130

  • Volume Title

    Sun Prints, 3

  • Stieglitz Estate Number

    58E

    Part of Stieglitz Key Set Online Edition

    Learn more

  • Key Set Number

    145

Associated Artworks

See all 29 artworks
There is an image of a man from the mid-torso up. He is turned slightly to the side but gazes directly at the viewer. The man has a full, thick beard and mustache, with short, wavy light-colored hair. He wears a dark coat with a high collar, buttoned at the front. There is no visible jewelry or objects being held. The background is plain and dark.

Professor Vogel

Alfred Stieglitz

1886

This photograph depicts an old stone building facade. The structure has a central archway with a balcony above it, adorned with potted plants. Clotheslines with drying laundry are visible. The stone walls appear weathered and textured. A cobblestone pathway adds to the historic feel. Wooden beams support the structure above the archway.

A Nook in Pallanza

Alfred Stieglitz

1887

The image displays a sepia-toned scene by a lakeside where women in period clothing wash clothes. The perspective is from the shoreline, showing the activities near the water. The overcast sky blends into distant mountains, which dominate the background. A large sailboat and smaller wooden boats are docked at the shore, with a man carrying a basket onboard. In the distance, a group of people stands by railings extending into the lake, lined with trees. The image has a muted tone with grey-scale, highlighting the historical aspect. The water reflects the sky, contrasting against the rocky shore.

Washerwomen at Lake Como

Alfred Stieglitz

1887

The image shows a man leaning his head on his hand, positioned with his face resting on his left hand. He has a mustache, thin-framed eyeglasses, and thick, greying hair that curls slightly at the edges. He is dressed in a formal jacket, a white shirt, and a black bow tie. The background is a soft, dark blur.

Alfred Stieglitz

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Artwork history & notes

Provenance

Georgia O'Keeffe; gift to NGA, 1949.

Associated Names

Bibliography

2002

  • Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 145.

Inscriptions

by Alfred Stieglitz, on interleaving tissue, upper right, in graphite: "A Venetian Street."

Wikidata ID

Q64037798

Scholarly Remarks and Key Set Data

Other Collections

A print corresponding with this photograph can also be found in the following collection(s):

National Gallery of Art, Washington, 2006.3.1.8

Lifetime Exhibitions

A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:

1895, Brussels (as Un Coin de Venise)
1895, London, Salon (no. 309, as A Bit of Venice)
possibly 1896, Berlin (as Venedig)
1897, Calcutta (no. 202, as A Bit of Venice)
1897, New York, Knickerbocker (as A Bit of Venice, lantern slide)
1897, London, R.P.S. (nos. 223 and 440, as A Venetian Canal, carbon and lantern slide)
1898, New York (no. 11, as A Bit of Venice)
1899, New York, Camera Club (nos. 14, 64, 64a, as A Venetian Canal, 1894–1895, carbon enlargement; 1894-1899, platinum direct; and 1894-1899, bichromate gum)
1899, Newark (no. 244, as A Bit of Venice)
1908, Toronto (no. 90, as Canal, Venice)
1934, New York (no. 17, as Venetian Canal, gelatin silver)

Lifetime Publications

A reproduction of this work appeared in the following publication(s) during Alfred Stieglitz’s lifetime:

“Alfred Stieglitz and His Latest Work,” The Photographic Times 284 (April 1896): 163 (ill., A Bit of Venice)

Camera Notes 1:2 (October 1897): 45 (ill., A Bit of Venice, photogravure)

Picturesque Bits of New York and Other Studies (New York, 1897): unnumbered (ill., A Venetian Canal)

The Photographic Times 30 (June 1898): opp. 241 (ill., A Bit of Venice, photogravure)

American Pictorial Photography, Series I [published by Camera Notes] (New York, 1899): pl. 2 (ill., Reflections—Venice, photogravure in blue)

Photographische Rundschau 14:12 (1900): between 244 and 245 (ill., Bit of Venice, photogravure)

Die Photographische Kunst im Jahre 1902: Ein Jahrbuch für Künstlerische Photographie: 127 (ill., untitled)

Sadakichi Hartmann, “Aesthetic Activity in Photography,” Brush and Pencil 14:1 (April 1904): 41 (ill., A Bit of Venice)

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