The Descent from the Cross (recto)

17th century

Italian 17th Century, formerly attributed to Federico Barocci

Associated Names
Italian 17th Century

Artist

This is a drawing of a group of figures in various poses. The sketch is rendered in a red chalk or sanguine technique, capturing a dynamic composition of intertwined and overlapping figures. The lines are expressive, suggesting form and motion, with varying levels of detail. Shadows and contours are indicated through linework, emphasizing the human form and gestures. The drawing appears to be a preparatory study, reflecting how an artist might work through compositional ideas and anatomy before starting a more detailed painting.

Media Options

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Artwork overview

  • Medium

    red chalk on laid paper

  • Credit Line

    The Edith Tanenbaum Rudolf Collection

  • Dimensions

    sheet: 27.2 × 21 cm (10 11/16 × 8 1/4 in.) (corners trimmed)

  • Accession Number

    2018.26.14.1

Associated Artworks

The image is a sketch focusing on the human body, specifically detailed studies of a person's legs from mid-thigh to feet. The legs are depicted in a bent position, hinting at a dynamic pose, possibly in motion or a stepping action. Facial features and hair are not included in the drawing, solely presenting the leg structures. The image omits details regarding clothing or materials around the legs, maintaining focus on the raw anatomical form. There are no jewelry or objects in the visible section of the body. The background is a plain surface without intricate designs, emphasizing the anatomy study.

Two Studies of a Leg (verso)

Italian 17th Century

1600

Artwork history & notes

Provenance

(Mathias Komor, New York, as Barocci); Mr. and Mrs. William Rudolf, New York, 1969; gift to NGA in 2018.

Associated Names

Wikidata ID

Q64579017

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