An Easter Calendar Beginning with the Year 1466

1466

German 15th Century

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.
Not on view See artworks now on view

Artwork overview

  • Medium

    woodcut in dark brown, hand-colored in yellow, ochre, green, rose, and brown, with volvelle joined at center by a string

  • Credit Line

    Rosenwald Collection

  • Dimensions

    image: 18.8 x 13.8 cm (7 3/8 x 5 7/16 in.)
    sheet: 21.3 x 16 cm (8 3/8 x 6 5/16 in.)
    overall (external frame dimensions): 39.4 x 31.8 cm (15 1/2 x 12 1/2 in.)

  • Accession Number

    1944.2.1

  • Catalogue Raisonné

    Schreiber, no. 1904, State p

Artwork history & notes

Provenance

(Sotheby's, 7 December 1926, no. 143); (L'Art Ancien, Zurich cat. 22, 1938, no.18); Richard Zinser [b. 1884], New York; purchased 23 October 1943 by Lessing J. Rosenwald, Jenkintown, PA; gift to NGA, 1944.

Associated Names

Exhibition History

1955

  • French Woodcuts, Engravings and Books of the 15th and Early 16th Centuries, The Davison Art Center, Wesleyan University, Middletown, CT, 1955.

1965

  • Fifteenth-Century Woodcuts and Metalcuts from the Collection of the National Gallery of Art, NGA, 1965-1966, no. 271, repro.

1971

  • A Selection of Fifteenth- and Sixteenth-Century Book Prints from the National Gallery of Art Rosenwald Collection, New Jersey State Museum, Trenton, 1971, no. 4, repro.

2000

  • "Writing on Hands: Memory and Knowledge in Early Modern Europe, 1470-1700", The Trout Gallery, Dickinson College, Carlisle; The Folger Shakespeare Library, Washington, 2000-2001, no. 41.

2005

  • Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public, NGA and Germanisches Nationalmuseum, Nuremberg, 2005-2006, no. 54, repro.

Bibliography

1926

  • Schreiber, Wilhelm Ludwig. Handbuch de Holz- und Metailschnitte des XV Jahrhunderts. 8 vols. Leipzig: Verlag Karl W. Hierseman, 1926-1930.

1965

  • Field, Richard S. Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1965.

2000

  • Sherman, Claire Richter. Writing on Hands: Memory and Knowledge in Early Modern Europe. Exh. cat. The Trout Gallery, Dickinson College, Carlisle, PA, 2000, no. 41.

2018

  • Schmidt, Suzanne Karr. Interactive and Sculptural Printmaking in the Renaissance. Leiden and Boston: Brill, 2018, pp. 23-24, 82-88, Figs. 1.1 & 3.1B.

Inscriptions

across top, in block: rota. pasche. menses. dies. aureus. Numerus (Easter table. months. days. golden numbers); on perimeter of central disk around angel, in block: do. pede. preteritum. Digii[u?]to. noto. pasca. futurum. que. numerum. Aureum. (I give with the foot the past and with the finger the future Easter and the golden number.); within circle at lower left, in block: litter(a)e dominicales et bivectiles [sic] mcccclxvi; within circle at lower right, in block: Rota avrei numeri. mcccclxvi; in inner ring of circle at lower left, in pen and black ink: 91; in inner circle at lower right, in pen and black ink: hic incipe / 91
[translation from Parshall, Peter, and Rainer Schoch. Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public. Washington, DC: National Gallery of Art, 2005, p. 200.]

Wikidata ID

Q65018861

You may be interested in

Loading Results