L'apocalypse (The Apocalypse)

1932

Stanley William Hayter

Associated Names
Stanley William Hayter

Artist, British, 1901 - 1988

Georges Hugnet

Author, French, 1906 - 1974

Paul Haasen

Printer, French, active 20th century

This is a photograph of the cover of a book titled 'L' Apocalypse' by Stanley William Hayter. The cover features a muted brown color with a cream-colored spine, which is offset slightly to the left. The text, 'STANLEY WILLIAM HAYTER / L’ APOCALYPSE', is printed in an elegant serif font, centered horizontally on the cover. The book has an aged appearance with slight wear and subtle discolorations.

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Artwork overview

  • Medium

    paper and clothbound portfolio of 6 engravings with drypoint, including title page and colophon page

  • Credit Line

    Rosenwald Collection

  • Accession Number

    1944.14.12-17

Associated Artworks

See all 6 artworks
The image shows curving lines and shapes overlapping and intertwining to create movement and depth. The abstract composition resembles twisting, elongated forms that evoke a spiraling tower or organic structure made of interwoven strands. The lines have a fluid, ribbon-like quality, spiraling around a central column with undulating shapes suggesting motion. The background is minimal, allowing the abstract shapes to stand out prominently.

Untitled

Stanley William Hayter, Paul Haasen, Galerie Jeanne Bucher

1931

The image shows curving, interlocking lines creating an abstract design that resembles horses galloping in formation. Stars are interspersed throughout, similar to the stars in a constellation. The background features shaded lines forming abstract shapes for added depth.

Untitled

Stanley William Hayter, Paul Haasen, Galerie Jeanne Bucher

1931

The image shows fluid, intertwining lines forming an abstract composition on a neutral background. The lines create layered and overlapping shapes that resemble silhouettes of human figures. The outlines suggest limbs, torsos, and possibly facial features, evoking a sense of movement or connection. Shaded areas provide depth, while gestural markings enhance the dynamism of the artwork, akin to figures in Matisse's cut-outs or Picasso's line drawings.

Untitled

Stanley William Hayter, Paul Haasen, Galerie Jeanne Bucher

1931


Artwork history & notes


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