stamped in wax positive on lower left shoulder: M.L.G. [Maurice Le Garrec]; incised on bottom rim at front right: 3/25 C; cold-stamped inside, within incised circle: 3/25
Sold 1 July 1930 through (Charles Sessler, Philadelphia) to Lessing Julius Rosenwald, Jenkintown, Pennsylvania; gift 1943 to NGA.
- Bench and Bar and The Realm of the Law, Henry E. Huntington Library and Art Gallery, San Marino, California, 1958, no. 12.
- Honoré Daumier, National Gallery of Art, Washington, D.C., 1960, no cat.
- Daumier Sculpture: A Critical and Comparative Study, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, 1969, no. 3b, repro.
- Nineteenth-Century Sculpture, National Gallery of Art, Washington, D.C., 1974, unnumbered checklist.
- Arts and Crafts in Detroit: The Movement, the Society, the School, Detroit Institute of Arts, 1976-1977, no. 254.
- Honoré Daumier 1808-1879, National Gallery of Art, Washington, D.C., 1979, no. 8, repro.
- Daumier: 1808-1879, National Gallery of Canada, Ottawa; Galeries nationales du Grand Palais, Paris; The Phillips Collection, Washington, D.C., 1999-2000, no. 12b, repro., as Barthe (shown only in Washington).
- Gobin, Maurice. Daumier Sculpteur, 1808-1879. Geneva, 1952: no. 5.
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 150, as one of The Deputies, complete set of 36 bronze busts.
- Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 51, repro.
- Butler, Ruth, and Suzanne Glover Lindsay, with Alison Luchs, Douglas Lewis, Cynthia J. Mills, and Jeffrey Weidman. European Sculpture of the Nineteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2000: 131-133, color repro.