The Emperor Hadrian

c. 1550

Ludovico Lombardo

Artist, Venetian, 1507/1508 - 1575

Media Options

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On View

West Building Main Floor, West Sculpture Hall

Artwork overview

  • Medium

    bronze

  • Credit Line

    Gift of Stanley Mortimer

  • Dimensions

    overall: 72.7 x 63.8 x 41.1 cm (28 5/8 x 25 1/8 x 16 3/16 in.)

  • Accession

    1945.16.1

Artwork history & notes

Provenance

Stanley Mortimer [1897-1984], New York, and Litchfield, Connecticut;[1] gift 1948 to NGA.
[1] Stanley Mortimer probably inherited the sculpture from his father, also Stanley Mortimer, who was a portrait painter and who in the 1890s built a sixty-room English Tudor manor house on his estate on Long Island and filled it with Renaissance art. (See Steven M.L. Aronson, "A Life in the Country: Patrician bohemians Barbara and Stanley Mortimer look back on a charmed circle of family and friends," House and Garden [April 1984]: 165-171, 230, 232.)

Associated Names

Bibliography

1965

  • Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 161, as Bust of a Roman Emperor (Hadrian).

1968

  • National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 142, repro., as Bust of a Roman Emperor (Hadrian).

1984

  • Aronson, Steven M. L. "A Life in the Country." House and Garden (1984): 230.

1994

  • Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 138, repro.

1995

  • Marani, Pietro C. "The Hammer Lecture (1994): Trivoli, Hadrian and Antinous, New Evidence of Leonardo's Relation to the Antique." Achademia Leonardi Vinci 8 (1995): 217, repro.

2003

  • Boström, Antonia. "Ludovico Lombardo and the Taste for the all'Antica Bust in Mid-Sixteenth-Century Florence and Rome." Large Bronzes in the Renaissance. Peta Motture, ed. Studies in the History of Art 64, Symposium Papers 41 (2003): repro. 154, 165, 166 fig. 13, 178 nn. 65 and 69.

2004

  • Luchs, Alison. "Lombardo Family." In The Encyclopedia of Sculpture, Antonia Boström, ed. 3 vols. New York and London, 2004: 2:972.

2007

  • Avery, Victoria. "The Production, Display and Reception of Bronze Heads and Busts in Renaissance Venice and Padua: Surrogate Antiques." In Jeanette Kohl and Rebecca Müller, eds. Kopf/Bild: Die Büste in Mittelalter und Früher Neuzeit. Berlin, 2007: 82.

2008

  • Penny, Nicholas. "The Evolution of the Plinth, Pedestal, and Socle." In Collecting Sculpture in Early Modern Europe. Nicholas Penny and Eike D. Schmidt, eds. Studies in the History of Art 70, Symposium Papers 47 (2008): 467, 469, fig. 15.

  • Bacchi, Andrea and Luciana Giacomelli, eds Rinascimento e passione per l'antico: Andrea Riccio e il suo tempo. Exh. cat. Castello di Buonconsiglio. Trento, 2008: 528.

Wikidata ID

Q63809803

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