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Provenance

Baron Adalbert von Lanna [1836-1909], Prague, Bohemia (Lugt 2773); Rudolf Ritter von Gutmann [1880-1966, L2770], Vienna;[1] (Christian M. Nebehay, Vienna); sold 1947 to (William H. Schab Gallery, New York); sold 3 November 1947 to Lessing J. Rosenwald; gift 1948 to NGA.

Exhibition History
1950
Rosenwald Collection: An Exhibition of Recent Acquisitions, NGA, 1950, no. 34, repro.
1962
Color in Prints: an Exhibition of European and American Color Prints from 1500 to the Present, Yale University Art Gallery, New Haven, CT, 1962-1963, no. 9, repro.
1968
Good and Bad Angels, University of Notre Dame Art Gallery, IN, 1968, no catalogue.
1973
Fifteenth- and Sixteenth-Century Prints of Northern Europe from the National Gallery of Art Rosenwald Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 1973, no. 53.
1974
Europe in Torment: 1450-1550, Rhode Island School of Design, Providence, RI, 1974, no. 42, repro.
1990
Eva/Ave: Woman in Renaissance and Baroque Prints, NGA, 1990, no. 132, repro.
2012
Imperial Augsburg: Renaissance Prints and Drawings, 1475-1540, National Gallery of Art, Washington, D.C.; Jack S. Blanton Museum of Art, Austin, TX; Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, NY, 2012-2014, no. 30, repro. fig. 22.
Bibliography
1949
Hollstein, F.W.H. et al. German engravings, etchings and woodcuts ca. 1400-1700. 8 vols. Amsterdam: Menno Hertzberger, 1954-1868. Dutch and Flemish etchings, engravings and woodcuts, ca. 1450-1700. Vols. I-XV, XVIII, XIX. Amsterdam: Menno Hertzberge
1990
Russell 1990, cat.no.132.
2012
Kennicott, Philip. "The Passion of the Renaissance, via Germany." Washington Post 135, no. 300 (September 30, 2012): E5.
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