Moth Dance

1929

Arthur Dove

Painter, American, 1880 - 1946

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Moth Dance is a playful, inventive image painted at the end of a decade of personal and professional transitions for the artist. In 1929 Arthur Dove married his longtime partner, Helen Torr, reconciled with his son, and exhibited regularly with Alfred Stieglitz. He completed this painting of a swaying moth while he and Torr lived on their boat in Halesite, New York.

Moths and butterflies both belong to the insect order Lepidoptera, and Dove was likely inspired by the butterflies he had seen at the American Museum of Natural History when conceptualizing Moth Dance. His insect has reptilian eyes with vertical black lines for pupils that slash outward beyond the top and bottom rims. Waving antennae emerge from the thorax like arms (rather than from the top of the head) and drift off beyond the picture plane. The moth has two brilliantly colored sets of wings: the top set are a dark bluish-green spotted with white and abstracted into one continuous oval; the bottom wings extend from the body in a bright teal that darkens to black at the tips. Two delicate black feet swerve to the left from the lower end of the moth’s body, completing an S-curve that begins with the antennae. Dove used the moth’s vibrant color to convey an abstract idea. He was striving to document exactly how the insect’s fluttering movements evoked joy and passion, or as he put it, “the life going on in that individual entity.”


Artwork overview

  • Medium

    oil on canvas

  • Credit Line

    Alfred Stieglitz Collection

  • Dimensions

    overall: 50.8 x 66.4 cm (20 x 26 1/8 in.)
    framed: 51.7 x 67 x 3.1 cm (20 3/8 x 26 3/8 x 1 1/4 in.)

  • Accession

    1949.2.1

More About this Artwork


Artwork history & notes

Provenance

Alfred Stieglitz [1864-1946], New York; by inheritance to his wife, Georgia O'Keeffe [1887-1986], Abiquiú, New Mexico; gift 1949 to NGA.

Associated Names

Exhibition History

1944

  • History of an American. Alfred Stieglitz: "291" and After; Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944, no. 257.

Bibliography

1970

  • American Paintings and Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1970: 48, repro.

1980

  • Wilmerding, John. American Masterpieces from the National Gallery of Art. National Gallery of Art, Washington, D.C., 1980: 150, repro.

  • American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1980: 144, repro.

1981

  • Williams, William James. A Heritage of American Paintings from the National Gallery of Art. New York, 1981: repro. 234, 237.

1988

  • Wilmerding, John. American Masterpieces from the National Gallery of Art. Rev. ed. National Gallery of Art, Washington, D.C., 1988: 172, repro.

1992

  • American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1992: 160, repro.

2000

  • Kirsh, Andrea, and Rustin S. Levenson. Seeing Through Paintings: Physical Examination in Art Historical Studies. Materials and Meaning in the Fine Arts 1. New Haven, 2000: 264.

Inscriptions

lower right: Dove

Wikidata ID

Q20192792


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