Key Set Entry
Related Key Set Photographs
For information about Stieglitz's trip to Chioggia, see Key Set number
Stieglitz submitted this view of the Ponte Vigo to The Amateur Photographer’s “Travelling Studentship Competition,” as Stones of Venice (see The Amateur Photographer 12 [18 July 1890], 41).
This photograph and Key Set number
A print corresponding with this photograph can also be found in the following collection(s):
Philadelphia Museum of Art, 1995-2-7 [lantern slide]
A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:
1891, New York, Fourth Annual Joint Exhibition (no. 312, as Stones of Venice)
1891, New York, Society of Amateur Photographers (no. 228, as Stones of Venice)
1892, Boston (no. 315, as Stones of Venice)
1899, New York (no. 18, as Stones of Venice, 1887–1899, platinum direct)
1934, New York (no. 2, as Chioggia, 1887, gelatin silver)
A reproduction of this work appeared in the following publication(s) during Alfred Stieglitz’s lifetime:
“Some Examples of the Work of Alfred Stieglitz, Amateur Photographer,” Frank Leslie’s Weekly 74 (3 March 1892): 76 (ill., Stones of Venice)
Marmaduke Humphrey, “Triumphs in Amateur Photography,” Godey’s Magazine 135 (December 1897): 591 (ill., Stones of Venice)
Camera Notes 2:1 (July 1898): 12 (ill., untitled)
F. Schiffner, “Zur Geschichte der Künstlerischen Photographie,” Photographisches Centralblatt 4 (December 1898): 439 (ill., untitled)
by Alfred Stiegltiz, on mount, lower left, in graphite: Stones of Venice (Chioggia) / 1894 / Print 1916 / Good Print
by later hand, on mount, lower left verso, in graphite: 60 C / 60 C
Georgia O'Keeffe; gift to NGA, 1949.
Associated NamesO'Keeffe, Georgia
- Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 40.