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Arnaldo Corsi, Florence.[1] possibly Icilio Federico Joni [1866-1946], Siena;[2] sold 1912 to (Duveen Brothers, Inc., London and New York), as by Baldovinetti;[3] sold to William Salomon [1852-1919], New York; by inheritance to Mrs. William Salomon, New York; sold 1923 to (Duveen Brothers, Inc., London and New York); Clarence H. Mackay, Roslyn [1874-1938], New York, by 1924 until at least 1926; (Duveen Brothers, Inc., London and New York), probably from Mackay; sold 1936 to the Samuel H. Kress Foundation, New York;[4] gift 1939 to NGA.

Exhibition History

Loan Exhibition of Important Early Italian Paintings in the Possession of Notable American Collectors, Duveen Brothers, New York, 1924, no. 20, as by Alesso Baldovinetti (no. 9 in illustrated 1926 version of catalogue).
Italian Art, Hillyer Art Gallery, Smith College, Northampton, 1925, no cat.


Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 11(1929):278-279, fig. 179, as by Alesso Baldovinetti.
Offner, Richard. "A Remarkable Exhibition of Italian Paintings." The Arts 5 (1924): 245, 248-249, repro., as by Alesso Baldovinetti.
Valentiner, Wilhelm R. “The Clarence H. Mackay Collection.” International Studio 81, no. 339 (August 1925): 337-342, repro., as by Alesso Baldovinetti.
Valentiner, Wilhelm R. The Clarence H. Mackay Collection. Italian Schools. New York, 1926: 2-3, cat. 2, as by Alesso Baldovinetti.
Cortissoz, Royal. "The Clarence H. Mackay Collection." International Studio 94 (1929): 33-34, as by Alesso Baldovinetti.
Singleton, Esther. Old World Masters in New World Collections. New York, 1929: 48-51.
Berenson, Bernard. Italian Pictures of the Renaissance. Oxford, 1932: 37, as by Alesso Baldovinetti.
Venturi, Lionello. Italian Paintings in America. 3 vols. New York and Milan, 1933: 2:pl.233, as by Alesso Baldovinetti.
Berenson, Bernard. Pitture italiane del rinascimentoi. Milan, 1936: 32, as by Alesso Baldovinetti.
Kennedy, Ruth Wedgwood. Alesso Baldovinetti, a critical & historical study. New Haven, 1938: 92-97, fig. 87, as by Alesso Baldovinetti.
Kennedy, Ruth Wedgwood. “An Early Annunciation by Alesso Baldovinetti.” Art in America 28, no. 4 (1940): 147, as by Alesso Baldovinetti.
Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: no. 58, repro., as by Alesso Baldovinetti.
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 10-11, no. 325, pl. I, as by Alesso Baldovinetti.
Book of Illustrations. National Gallery of Art, Washington, 1942: 246, repro. 60, as by Alesso Baldovinetti.
Mechlin, Leila. “In the Art World. The Christmas Theme in Art.” The Sunday Star (Washington, DC) (24 December 1944): B-6.
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 45, repro., as by Alesso Baldovinetti.
Olsen, Harald. Italian Paintings and Sculpture in Denmark. Amsterdam, 1961: 60.
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 102.
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 114-115, fig. 312.
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 90, repro.
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 163, 325, 645, 661, as Attributed to Pier Francesco Fiorentino.
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 268, repro.
Thorvaldsens Museum: Katalog. Copenhagen, 1975: 201.
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:367-358; 2:pl. 266.
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 311, repro.
Simpson, Colin. Artful Partners: Bernard Berenson and Joseph Duveen. New York, 1986: 184.
Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 574-577, color repro.
Langhanke, Birgit. Die Madonnenreliefs im Werk von Antonio Rossellino. Ph.D. diss. Ludwig-Maximilians-Universität, Munich, 2013: 228, n. 156, 480 fig. 113.
Huebscher, Arne. Alesso Baldovinetti und die Florentiner Malerei der Frührenaissance. Munich, 2020: 505, cat. F 3, figs. 405, 406.

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