Donald Davidson
1920
Artist, American, 1864 - 1946

Artwork overview
-
Medium
gelatin silver print
-
Credit Line
-
Dimensions
sheet (trimmed to image): 11.6 × 9.1 cm (4 9/16 × 3 9/16 in.)
mount: 34.2 × 27.6 cm (13 7/16 × 10 7/8 in.) -
Accession
1949.3.581
-
Stieglitz Estate Number
206D
Part of Stieglitz Key Set Online Edition
Learn more -
Key Set Number
627

Alfred Stieglitz
Curious for more Alfred Stieglitz scholarship?
Discover over 1,000 artworks that the artist’s wife Georgia O’Keeffe termed his “Key Set” of prize photographs. Museum scholars have illuminated each work, his career, practices, and lifetime achievements.
Artwork history & notes
Provenance
Georgia O'Keeffe; gift to NGA, 1949.
Associated Names
Bibliography
2002
Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 627.
Inscriptions
by Georgia O'Keeffe, on mount, upper left verso, in graphite: 206D
Wikidata ID
Q64035227
Scholarly Remarks and Key Set Data
Remarks
The date is based on similarities to Key Set numbers 624, 625, and 626.
When Stieglitz first met Donald Davidson in 1917 he was helping to establish a victory garden at Oaklawn. Shortly thereafter on 22 August 1917 Stieglitz wrote to O’Keeffe that Davidson had “made a great impression upon me—impression as a human.— A lank sinewy figure—eye glasses—spectacles—middle-aged—a firm expression around the mouth—We met up there—and I don’t know why—but we talked for about fifteen minutes—I don’t know what brought it about—But it was very wonderful—that meeting. Life—War—Society—Plant Life—the universe—We understood each other—He’s unmarried—Scotch descent—Riches once upon a time in the family—It was very human that meeting—the most human thing that’s happened to me in some time—He seemed drawn to me & I to him—Queer—Perhaps I’m not quite as dead as I imagine I must be” (YCAL). In 1919 Davidson married Stieglitz’s niece Elizabeth Stieglitz, and both became deeply involved in Hinduism.