Equivalent

1931

Alfred Stieglitz

Associated Names
Alfred Stieglitz

Artist, American, 1864 - 1946

The image shows an aerial view of a cloudy sky. The horizon is not visible, and the clouds create a sense of depth. The clouds appear to be moving with swirling patterns and textures. The color scheme is mainly dark with some lighter areas creating contrast. The image conveys a mysterious and vast atmosphere.

Media Options

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Artwork overview

  • Medium

    gelatin silver print

  • Credit Line

    Alfred Stieglitz Collection

  • Dimensions

    sheet (trimmed to image): 11.9 x 9.3 cm (4 11/16 x 3 11/16 in.)
    mount: 34.8 x 27.5 cm (13 11/16 x 10 13/16 in.)

  • Accession Number

    1949.3.1095

  • Stieglitz Estate Number

    222D

    Part of Stieglitz Key Set Online Edition

    Learn more
  • Key Set Number

    1426

The image shows a man leaning his head on his hand, positioned with his face resting on his left hand. He has a mustache, thin-framed eyeglasses, and thick, greying hair that curls slightly at the edges. He is dressed in a formal jacket, a white shirt, and a black bow tie. The background is a soft, dark blur.

Alfred Stieglitz

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Discover over 1,000 artworks that the artist’s wife Georgia O’Keeffe termed his “Key Set” of prize photographs. Museum scholars have illuminated each work, his career, practices, and lifetime achievements.


Artwork history & notes

Provenance

Georgia O'Keeffe; gift to NGA, 1949.

Associated Names

Bibliography

2002

  • Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 2, cat. 1426.

Inscriptions

by Alfred Stieglitz, on mount, lower left, in graphite: 32; center verso: Exhibition 1932
by Georgia O'Keeffe, on mount, upper left verso, in graphite: 222D
by later hands, on mount, upper right verso, in graphite: d; lower left verso: 222D

Wikidata ID

Q64036454

Scholarly Remarks and Key Set Data

Lifetime Exhibitions

A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:

1932, New York


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