Key Set Entry
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Elizabeth McCausland in her review of Stieglitz’s 1934 exhibition at An American Place identified this photograph: “[Stieglitz] observes man in his less idyllic activities and milieus, in crowded and sordid cities built of pasteboard, working in a skyscraper office, while the plaster cornices look far more flimsy and meretricious than a house built of cards ever could” (see “Photographs by Stieglitz Now at An American Place,” The Springfield Sunday Union and Republican, 16 December 1934, section E, 6).
For more information about this photograph, see Key Set number
A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:
1934, New York (nos. 36–37, as New York from An American Place, 1930)
by Alfred Stieglitz, on mount, upper left verso, in graphite: [illegible numbers]; center verso, in graphite: 16 3/4 x 21 3/4
by Georgia O'Keeffe, on mount, lower left verso, in graphite: 11A
Georgia O'Keeffe; gift to NGA, 1949.
Associated NamesO'Keeffe, Georgia
- Alfred Stieglitz: Known and Unknown, National Gallery of Art, Washington, DC, June 2–September 2, 2002; The Museum of Fine Arts, Houston, October 6, 2002–January 5, 2003
- Georgia O'Keeffe, Tate Modern, London, July 6–October 30, 2016; Bank Austria Kunstforum, Vienna, December 7, 2016–March 26, 2017; Art Gallery of Ontario, Toronto, April 22–July 30, 2017
- Smith, Joel. "How Stieglitz Came to Photograph Cityscapes." History of Photography 20, no. 4 (Winter 1996): 329.
- Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 2, cat. 1446.
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