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in typographic text on sheet, at left: Dye syben tag zeit vnser frawen... (the seven hours of our lady) [followed by eight six-line stanzas and one stanza from a song to the Virgin Mary by the so-called Monk of Salzburg]

[see Parshall, Peter, and Rainer Schoch. _Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public._ Washington, DC: National Gallery of Art, 2005, pp. 98-101.]

Exhibition History
1965
Fifteenth-Century Woodcuts and Metalcuts from the Collection of the National Gallery of Art, NGA, 1965-1966, no. 51, repro.
2005
Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public, NGA and Germanisches Nationalmuseum, Nuremberg, 2005-2006, no. 16, repro.
2012
Imperial Augsburg: Renaissance Prints and Drawings, 1475-1540, National Gallery of Art, Washington, D.C.; Jack S. Blanton Museum of Art, Austin, TX; Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, NY, 2012-2014, no. 5, repro. fig. 13.
Bibliography
1926
Schreiber, Wilhelm Ludwig. Handbuch de Holz- und Metailschnitte des XV Jahrhunderts. 8 vols. Leipzig: Verlag Karl W. Hierseman, 1926-1930.
1965
Field, Richard S. Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1965: no. 51.
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