Inscription
in block, in banderole at left: Isti ditantur donis qui me venantur / Nunquam dampnantur nec hostes eis dominantur (Those are enriched by gifts who hunt me; neither shall they be condemned nor shall the enemy prevail against them); below image, by hand in ink: sanctus onophrius
[translation from Parshall, Peter, and Rainer Schoch. _Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public._ Washington, DC: National Gallery of Art, 2005, p. 317.
Provenance
(Weiss & Co., Munich, no. 59); Martin Aufhäuser [1875-1944], Munich, Holland, and Los Angeles; [1] purchased 19 August 1939 by Lessing J. Rosenwald, Jenkintown, PA (L1760c and L1932d); gift to NGA, 1943.
Exhibition History
- 1941
- The First Century of Printmaking 1400-1500, The Art Institute of Chicago, 1941, no. 24, repro.
- 1956
- Selected Prints from the Lessing J. Rosenwald Collection, City Art Museum, St. Louis, MO, 1956.
- 1959
- Prints from the Lessing J. Rosenwald Collection, University of Nebraska Art Galleries, Lincoln, 1959, no catalogue.
- 1962
- The Saints in Prints & Illuminations from the Lessing J. Rosenwald Collection, The Art Gallery of the University of Notre Dame, Notre Dame, IN, 1962-1963, no. 38.
- 1965
- Fifteenth-Century Woodcuts and Metalcuts from the Collection of the National Gallery of Art, NGA, 1965-1966, no. 238, repro.
- 1965
- Selected 15th Century Prints from the Lessing J. Rosenwald Collection, National Gallery of Art, Pennsylvania State University, State College, PA, 1965, no. 16.
- 1983
- Graphic Survey Show, National Gallery of Art, Washington, D.C., May 1983.
- 2005
- Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public, NGA and Germanisches Nationalmuseum, Nuremberg, 2005-2006, no. 102, repro.
Bibliography
- 1926
- Schreiber, Wilhelm Ludwig. Handbuch de Holz- und Metailschnitte des XV Jahrhunderts. 8 vols. Leipzig: Verlag Karl W. Hierseman, 1926-1930.
- 1965
- Field, Richard S. Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1965: no. 238.
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