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Inscription

in margin above image, by hand in ink: Possit non eiciam [sic] picture demon ut nullus apparere suo tanto / temuit [?] ipse pauore. Obiectum [sic] fuerit nam si quod demone corpus / hunc mox in tuitus [sic] depellet ymage [sic] alme (The picture [is] so powerful that when it appears, the demon will fear and tremble. If any body is obsessed by a demon, as soon as it is displayed, the sacred image will dispel it.)

[translation from Parshall, Peter, and Rainer Schoch. _Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public._ Washington, DC: National Gallery of Art, 2005, p. 183.]

Exhibition History

1941
The First Century of Printmaking 1400-1500, The Art Institute of Chicago, 1941, no. 48a.
1965
Fifteenth-Century Woodcuts and Metalcuts from the Collection of the National Gallery of Art, NGA, 1965-1966, no. 357, repro.
1965
Master Prints from the Rosenwald Collection, Virginia Museum of Fine Arts, Richmond, 1965, no. 18.
1984
Graphic Survey Show, National Gallery of Art, Washington D.C., February 1984.
2005
Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public, NGA and Germanisches Nationalmuseum, Nuremberg, 2005-2006, no. 48, repro.

Bibliography

1926
Schreiber, Wilhelm Ludwig. Handbuch de Holz- und Metailschnitte des XV Jahrhunderts. 8 vols. Leipzig: Verlag Karl W. Hierseman, 1926-1930.
1965
Field, Richard S. Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1965.
2013
Brisman, Shira. "The Image That Wants to Be Read: An Invitation for Interpretation in a Drawing by Albrecht Dürer." Word & Image 29, no. 3 (July/September 2013): 291-292, fig. 13.

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