Skip to Main Content

Inscription

lower center on the pedestal: IOANNES BAPTISTA PINXIT

Provenance

Possibly Giovanni Castelli, Venice, until 1712.[1] Baron Carlo Marochetti [1805-1867], Paris and London, or his son, Baron Maurizio Marochetti [d. 1916], Turin; by inheritance to Elena, the daughter of the latter, wife of Carlo Corrigioni d'Orelli.[2] (Jacques Seligmann & Co., Inc., Paris and New York); sold December 1919 to Sir Edgar Vincent, later 1st viscount D'Abernon [1857-1941], Esher and Stoke d'Abernon, Surrey;[3] (Duveen Brothers, Inc., London and New York), after 1925;[4] sold 15 December 1936 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[5] gift 1937 to NGA.

Exhibition History

1925
Gemälde alter Meister aus Berliner Besitz, Akademie der Künste, Berlin, 1925.

Bibliography

1923
Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 17(1935): 426-428, incorrectly identified as the painting of the same subject then in the con Speck-Sternberg collection, now in the Museum der Bildenden Künste, Leipzig.
1926
Venturi, Adolfo. “Opere poco note di Cima da Conegliano.” L’Arte 29 (1926): 182-183.
1927
Venturi, Adolfo. Studi dal vero: Attraverso le racolte artistiche d’Europa. Milan, 1927: 243-244, fig, 149.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 40, no. 33.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 239, repro. 84.
1949
Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 35, repro.
1951
Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 82.
1953
Coletti, Luigi. La pittura veneta del Quattrocento. Novara, 1953: LXXV, 175, repro.
1957
Berenson, Bernard. Italian Pictures of the Renaissance. Venetian School. 2 vols. London, 1957: 1:68.
1957
Lasareff, Victor. “Opere nuove o poco note da Cima da Conegliano.” Arte Veneta 11 (1957): 46.
1959
Coletti, Luigi. Cima da Conegliano. Venice, 1959: 72, pl. 13.
1961
Pallucchini, Rodolfo. “Giunte al catalogo di Cima da Conegliano.” In Studi di storia dell’arte: Raccolta di saggi a Roberto Longhi. Arte Antica e Moderna 13-16 (1961): 187.
1961
Puppi, Lionello. “Per Pasqualino Veneto.” Critica d’Arte 8, no. 44 (1961): 39
1961
Seligman, Germain. Merchants of Art: 1880-1960, Eighty Years of Professional Collecting. New York, 1961: 127, pl. 30b.
1962
Pallucchini, Rodolfo. “Appunti alla mostra di Cima da Conegliano.” Arte Veneta 16 (1962): 223.
1962
Pignatti, Terisio. “Rapporti tra il Cima ed il Carpaccio attorno al primo decennio del Cinquecento.” La provincia di Treviso 5 (1962): 11.
1963
Rutteri, Maria Grazia. “Gian Battista da Conegliano.” Acropoli 3 (1963): 40.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 27.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 21, repro.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 53, 327, 407, 414, 645.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 70, repro.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. Washington, 1979: 1:130-131; 2:pl. 90.
1981
Menegazzi, Luigi. Cima da Conegliano. Treviso, 1981: 18, 20, 22, 42, 93-94, pls. 27-28.
1983
Humfrey, Peter. Cima da Conegliano. Cambridge and New York, 1983: 51, 118, 130-131, 166, 184-185, pl. 33.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 89, repro.
1989
Dantraique, Pierre. La peinture venitienne. Neuchâtel, 1989: 67, repro.
2003
Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 202-205, color repro.
2010
Battisti, Eugenio. “Il Cima e il significato storico delle sue immagini.” In Giovanni Carlo Federico Villa, ed. Cima da Conegliano: poeta del paesaggio. Exh. cat. Palazzo Sarcinelli, Conegliano, 2010: 15, repro.
2013
Potočnik, Michele, and Giovanni Carlo Federico Villa, eds. Il paesaggio di Cima: Da Conegliano ai monti di Endimione. Treviso, 2013: 23, 109, cat. 4.
2017
Serres, Karen. "Duveen's Italian framemaker, Ferruccio Vannoni." The Burlington Magazine 159, no. 1370 (May 2017): 373 n. 40.

Related Content

  • Sort by:
  • Results layout:
Show  results per page
The image compare list is empty.