"I will root up from my path whatever obstructs my progress toward becoming the master." ("Ich will alles um mich her ausrotten, was mich einschränkt, das ich nicht Herr bin.")

1922

George Grosz

Associated Names
George Grosz

Artist, American, born Germany, 1893 - 1959

The image shows a stylized portrait of a man in a casual stance. He is facing to the right with exaggerated facial features, a broad grin, and a prominent nose. He is dressed in a suit with a bow tie, holding a cigar in his right hand, and a monocle in his chest pocket. The background is an industrial setting with buildings, chimneys emitting smoke, gears, and an overhead structure.
This object’s media is not available for download. Contact us about image usage.
Not on view See artworks now on view

Artwork overview

  • Medium

    lithograph in black

  • Credit Line

    Rosenwald Collection

  • Dimensions

    image: 57.63 × 42.55 cm (22 11/16 × 16 3/4 in.)

  • Accession Number

    1951.10.293

  • Catalogue Raisonné

    Duckers 1979, no. MV 1

  • Series Title

    The Robbers (Die Räuber)

Artwork history & notes

Provenance

Claude Schaefer [1913-2010], Montevideo, Uruguay; sold 1950 to Lessing J. Rosenwald; [1] gift 1950/1951 to the National Gallery of Art.
[1] In Recollections of a Collector, 1976, p. 56-57, Rosenwald described being approached by a young man in South America who offered to sell his father’s collection of prints that he had brought with him from Germany. Rosenwald gives the year as 1951, but his appointment books confirm that it was actually 1950 - he left for Buenos Aires on 9 February 1950 and returned on 20 March 1950 (Library of Congress, Rosenwald Papers, Box 75). Rosenwald writes that he bought the entire collection of some 1100 prints and drawings, but as they had already been scheduled to be sent to Europe they came to the United States via Antwerp, arriving in the US in late April 1950. Rosenwald decided to keep about a quarter of the collection, destined for the National Gallery of Art, and donate the remainder to other institutions. The inventory log of Alverthorpe indicates that just over 300 works were accessioned there in May of 1950, inventory numbers 50.260-50.530, acquired from Claude Schaefer (Gallery Archives, National Gallery of Art, RG 45A1, Rosenwald Papers, Box 41).

Associated Names

Bibliography

1979

  • Duckers, Alexander. George Grosz: Das druckgraphische Werk. Frankfurt am Main: Propylaen Verlag, 1979, no. MV 1.

Wikidata ID

Q65225140

You may be interested in

Loading Results