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Martin Aufhäuser, Munich and Holland(1); Lessing J. Rosenwald, Jenkintown, PA; gift to NGA, 1943.1

1 For complete information on Aufhäuser's collection, see Rosenwald Papers, box 9, and Richard S. Field, Fifteenth Century Woodcuts and Metalcuts, Washington, D.C., 1965, Preface (np).

Exhibition History
"The Origins of European Printmaking: 15th Century Woodcuts and Their Public", Germanisches Nationalmuseum, Nuremberg, 2005-2006, no. 78.
A Feast for the Senses: Art and Experience in Medieval Europe, The Walters Art Museum, Baltimore; The John and Mable Ringling Museum of Art, Sarasota, 2016-2017.
Schreiber, Wilhelm Ludwig. Handbuch de Holz- und Metailschnitte des XV Jahrhunderts. 8 vols. Leipzig: Verlag Karl W. Hierseman, 1926-1930.
Field, Richard S. Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1965.
Hults, Linda C. The Print in the Western World. Madison: University of Wisconsin Press, 1996, 26; fig.1.7.
Areford, David S. "The Passion Measured: A Late-Medieval Diagram of the Body of Christ." In The Broken Body: Passion Devotion in Late-Medieval Culture. Groningen, 1998: 211-238.
Bynum, Caroline Walker. Christian Materiality: An Essay on Religion in Late Medieval Europe. New York, 2011: 94, 96, fig. 30.
Powell, Amy Knight. Depositions: Scenes from the Late Medieval Church and the Modern Museum. Cambridge, Mass.: 179, 181, 182, fig. 50.
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