Jesus Attracting the Faithful to Heart

1480/1490

Media Options

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Artwork overview

  • Medium

    woodcut, hand-colored in yellow, green, brown, red lake, and olive brown

  • Credit Line

    Rosenwald Collection

  • Dimensions

    Overall: 12.7 x 18.1 cm (5 x 7 1/8 in.)
    overall (external frame size): 31.8 x 39.4 cm (12 1/2 x 15 1/2 in.)

  • Accession

    1943.3.853

  • Catalogue Raisonné

    Schreiber, no. 1838


Artwork history & notes

Provenance

Weigel & Zestermann. Przibram Collection, Vienna. (Weiss & Co., Munich); Martin Aufhäuser [d.1944], Munich and Holland; [1] purchased by Lessing J. Rosenwald, Jenkintown, PA (L1760c and L1932d); gift to NGA, 1943.
[1] For complete information on Aufhäuser's collection, see Rosenwald Papers, box 9, and Richard S. Field, Fifteenth Century Woodcuts and Metalcuts, Washington, D.C., 1965, Preface (np).

Associated Names

Exhibition History

1965

  • Fifteenth-Century Woodcuts and Metalcuts from the Collection of the National Gallery of Art, NGA, 1965-1966, no. 266, repro.

2005

  • Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public, NGA and Germanisches Nationalmuseum, Nuremberg, 2005-2006, no. 88, repro.

Bibliography

1926

  • Schreiber, Wilhelm Ludwig. Handbuch de Holz- und Metailschnitte des XV Jahrhunderts. 8 vols. Leipzig: Verlag Karl W. Hierseman, 1926-1930.

1965

  • Field, Richard S. Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1965, no. 266.

Inscriptions

at top center, on banderole, in block: Sun gib mir din hercz / den ich lieg hab. Dem / läß ich sträff nit ab. (Son, give me your heart. I do not remit the punishment of the one that I hold dear.); at center, on banderole, in block: O herr das will ich. das / beger ich darumbe / so soltu ziehe mich (O Lord, this I want, I desire it, for this reason thus should you pull me.); at upper right, on card held by angel, in block: Gedenck der / letste zÿt so / sündest du / nÿmmer (Think of the last days; then you will never sin.)
[translations from Parshall, Peter, and Rainer Schoch. Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public. Washington, DC: National Gallery of Art, 2005, p. 282.]

Watermarks

none

Wikidata ID

Q64953492


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