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Provenance

British Museum (duplicate, Lugt 300 and 305); purchased by Lessing J. Rosenwald [1891-1979], 1928; gift to NGA, 1943.

Exhibition History

1950
Master Prints from the Rosenwald Collection, circulated by the American Federation of Arts to 11 venues (California Legion of Honor, San Francisco, CA; Henry Art Gallery at the University of Washington, Seattle, WA; Museum of Cranbrook Academy of Art, Bloomfield Hills, MI; Grand Rapids Art Gallery, Grand Rapids, MI; The J.B. Speed Art Museum, Louisville, KY; Bryn Mawr College, Bryn Mawr, PA; Museum of Art at the University of Michigan, Ann Arbor, MI; Springfield Art Museum, Springfield, MO; Norton Gallery and School of Art, West Palm Beach, FL; Watkins Institute, Nashville, TN; and Memphis Academy of Art, Memphis, TN), 1950-1952, no cat.
1952
Etchings and Other Prints from the Rosenwald Collection, Randolph-Macon Woman's College, Lynchburg, VA, 1952-1953, no cat.
1953
The Collector's Taste, Andrew Dickinson White Art Museum, Cornell University, Ithaca, NY, 1953-1954.

Bibliography

1911
Pauli, Gustav. Barthel Beham: ein kritisches Verzeichnis seiner Kupferstiche. Studien zur deutschen Kunstgeschichte, 135. Strasbourg: J.H. Ed. Heitz, 1911: no. 90, state iv/iv.
1996
The New Hollstein German Engravings, Etchings and Woodcuts, 1400-1700. (Barthel Beham, compiled by Anne Röver-Kann). Ouderkerk aan den Ijssel: Sound & Vision Publishers, 2021: no. 104, state iv/iv.

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