Provenance
Possibly Jacques Amelot du Quillou, marquis de Mauregard [1602-1688, later marquis de Gournay], by c. 1668.[1] possibly Henri de Guénégaud de Fresne, marquis de Plancy et de Guercheville, comte de Montbrison [1609-1676].[2] possibly marquis de Lassay; (his sale, Joullain fils, Paris, 22 May 1775, no. 43).[3] George Granville Sutherland-Leveson-Gower, 2nd duke of Sutherland [1786-1861], Stafford House, London;[4] by inheritance to his son, George Granville William Sutherland-Leveson-Gower, 3rd duke of Sutherland [1828-1892], Stafford House; Cromartie Sutherland-Leveson-Gower, 4th duke of Sutherland [1851-1913], Stafford House; (his estate sale, Christie, Manson & Woods, London, 11 July 1913, no. 34); (Thos. Agnew and Sons, Ltd., London); sold 14 July 1913 to the Dowager Duchess Sutherland [presumably the 4th Duke's widow]; Trustees of the 4th duke of Sutherland; sold 7 January 1948 to (Thos. Agnew and Sons, Ltd., London); sold 5 May 1949 to the Samuel H. Kress Foundation, New York;[5] gift 1952 to NGA.
Associated Names
Agnew & Sons, Ltd., ThomasAmelot du Qaillou, Marquis de Mauregard, Jacques
Christie, Manson & Woods, Ltd.
Hennequin de Fresne, Nicolas
Kress Foundation, Samuel H.
Lassay, Marquis de
Sale, Paris
Sutherland-Leveson-Gower, Cromartie, 4th duke of Sutherland
Sutherland-Leveson-Gower, George Granville William, 3rd duke of Sutherland
Sutherland-Leveson-Gower, George Granville, 2nd duke of Sutherland
Exhibition History
- 1938
- Seventeenth-Century Art in Europe. (Exh. cat. Royal Academy of Arts.) London, 1938: 55-56.
- 1947
- Loan Exhibition of French Painting of the xviith Century. (Exh. cat. Wildenstein & Co.) London, 1947: no. 33.
- 1950
- Le dessin français de Fouquet à Cézanne. (Exh. cat. Orangerie.) Paris, 1950: under no. 32.
- 1958
- Age of Louis xiv. (Exh. cat. Royal Academy of Arts.) London, 1958: no. 280.
- 1982
- Rosenberg, Pierre. La peinture française du xvii e siècle dans les collections américaines. (Exh. cat. Galeries nationales du Grand Palais; Metropolitan Museum of Art; and Art Instituteof Chicago.) Paris, 1982. English ed., France in the Golden Age: Seventeenth-Century French Paintings in American Collections. New York, 1982: 371.
- 1994
- Rosenberg, Pierre, and Louis-Antoine Prat. Nicolas Poussin 1594 – 1665. (Exh. cat. Galeries nationales du Grand Palais.) Paris, 1994: 20, 397-402, no. 173.
- 1995
- Verdi, Richard, et al. Nicolas Poussin 1594-1665. (Exh. cat. Royal Academy of Arts.) London, 1995: 14, 46, 194-195, 263-265, no. 60.
- 1996
- France in the Golden Age. (Exh. cat. Walpole Gallery.) London, 1996: under no. 21.
- 1996
- Obras Maestras de la National Gallery of Art de Washington, Museo Nacional de Antropología, Mexico City, 1996-1997, unnumbered catalogue, 54-55, color repro.
- 1999
- A Painting in Focus: Nicolas Poussin's `Holy Family on the Steps', The Cleveland Museum of Art, 1999-2000, pl. 5.
Bibliography
- 1666
- Félibien, André. Entretiens sur les vies et sur les ouvrages des plus excellens peintres anciens et modernes. 6 vols. 1st ed. Paris, 1666-1688. Reprint Trévoux, 1725: 4:59.
- 1699
- Le Comte, Florent. Cabinet des singularitez d’architecture, peinture, sculpture et gravure ou, Introduction à la connoissance des plus beaux arts, figures sous les tableaux, les statués, & les estampes. 3 vols. Paris, 1669 – 1700. 2nd ed. 1702: 3:36.
- 1783
- Cambry, Jacques de. Essai sur la vie et sur les tableaux du Poussin. 2nd ed. Paris, 1783: 53.
- 1829
- Smith, John. A Catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters. 9 vols. London, 1829 – 1842. 8(1837):41, no. 78.
- 1844
- Jameson, Anna Brownell. Companion to the Most Celebrated Private Galleries of Art in London: The Collection of the Duke of Sutherland at Stafford House, styled The Sutherland Gallery. London, 1844: 41, no. 78.
- 1854
- Waagen, Gustav Friedrich. Treasures of Art in Great Britain: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Manuscripts. 3 vols. London, 1854: 2:66.
- 1863
- Andresen, Andreas. Nicolaus Poussin, Verzeichniss der nach seinen Gemälden gefertigten, gleichzeitigen und späteren Kupferstiche. Leipzig, 1863: 39, no. 135.
- 1877
- Guiffrey, J. Jules. “Testement et inventaire des biens, tableaux, dessins, planches de cuivre, bijoux, etc. de Claudine Bouzonnet-Stella rédigés et écrits par elle-meme 1693 – 1697.” Nouvelles archives de l’art français 5 (1877): 30, no. 40.
- 1884
- Bonnaffé, Edmond. Dictionnaire des amateurs français au xvii e siècle. Paris, 1884: 16.
- 1907
- Friedlaender, Walter. "Nicolas Poussin." In Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. 37 vols. Edited by Ulrich Thieme and Felix Becker. Leipzig, 1907-1950: 27(1933): 325.
- 1909
- Rouart, Louis. “Un tableau du Poussin.” Bulletin de la Société de l’Histoire de l’Art Français 1908 (1909): 92 – 93.
- 1914
- Friedlaender, Walter. Nicolas Poussin. Die Entwicklung seiner Kunst. Munich, 1914: 92, 119.
- 1914
- Grautoff, Otto. Nicolas Poussin: sein Werk und sein Leben. 2 vols. Munich and Leipzig, 1914: 1:269-270, 2:no. 131.
- 1914
- Magne, Emile. Nicolas Poussin: premier peintre du roi, 1594 – 1665. Brussels, 1914: 213, no. 241.
- 1933
- Friedlaender, Walter. "Nicolas Poussin." Thieme-Becker 1907-1950 , 27 (1933): 321-327.
- 1938
- Blunt, Anthony. “Blake’s Ancient of Days. The Symbolism of the Compasses.” Journal of the Warburg Institute 2, no. 1 (July 1938): 55-56.
- 1938
- Borenius, Tancred. “French School at Burlington House.” The Burlington Magazine 72 (Feb. 1938): 63.
- 1938
- London 1938. "Seventeenth-Century Art in Europe." (Exh. Catalog Royal Academy of Arts.) London, 1938, no. 337.
- 1939
- Friedlaender, Walter, and Anthony Blunt, eds. The Drawings of Nicolas Poussin: Catalogue Raisonné Studies of the Warburg Institute. 5 vols. London, 1939 – 1974: 1(1939):20, 22, C1, 25, 26, 27, 28.
- 1939
- Weigert, Roger-Armand. Bibliothèque nationale: inventaire du fonds français — graveurs du xvii e siècle. 4 vols. Paris, 1939 – 1961: 2:81, no. 12.
- 1947
- London 1947. "A Loan Exhibition of French Painting of the XVIIth Century." (Exh. cat. Wildenstein & Co.) London, 1947: no 33.
- 1948
- Bertin-Mourot, Thérese." Addenda au catalogue de Grautoff depuis 1914." Bulletin de la Société Poussin 2, no. 2 (Dec. 1948): 47, no. X.
- 1948
- Jamot, Paul. Connaissance de Poussin. Paris, 1948: 95, no. 139.
- 1950
- Paris 1950. "Le dessin francais de Fouquet à Cezanne." (Exh. cat. Orangerie.) Paris, 1950: under no. 32.
- 1951
- NGA 1951 Suida, William E. "Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation, 1945-1951." Washington, 1951: 218.
- 1951
- Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1945-1951. Introduction by John Walker, text by William E. Suida. National Gallery of Art, Washington, 1951: 218, no. 97, repro., as by Poussin.
- 1952
- Frankfurter, Alfred M. "Interpreting Masterpieces: Twenty-four Paintings from the Kress Collection." Art News Annual 16 (1952): 116-117, repro. 119.
- 1954
- Blunt, Anthony. Art and Architecture in France: 1500 to 1700. London and Baltimore, 1954: 191-192.
- 1954
- Licht, F. S. Die Entwicklung der Landschaft in den Werken von Nicolas Poussin. Berlin, 1954: 157.
- 1955
- Wildenstein, Georges. “Les graveurs de Poussin au XVIIe siecle.” Gazette des Beaux-Arts ser. 6, 46(Sept. – Dec. 1955): 169-170, no. 52. (Reprint Paris, 1957, as Les graveurs de Poussin au xvii e siècle.)
- 1956
- Walker, John. National Gallery of Art, Washington. New York, 1956: 40, repro., as by Poussin.
- 1956
- Walker, John. "The Nation's Newest Old Masters." The National Geographic Magazine 110, no. 5 (November 1956): 40, repro., as by Poussin.
- 1957
- Alazard, Jean. Nicolas Poussin, 1594 – 1665. Milan, 1957: fig. 39.
- 1957
- Bertin-Mourot, Thérese. “Une copie ancienne d’apres Poussin au Musée de Chaumont.” Bulletin de la Société Poussin: Poussin Inconnu 1:3 – 7. Paris, 1957: 1 n.3, 4-7.
- 1958
- Bertin-Mourot, Thérese. “Correspondance.” Gazette des Beaux-Arts ser. 6, 51 (1958): 366.
- 1958
- London 1958. "Age of Louis XIV." (Exh. cat. Royal Academy of Arts.) London, 1958: no. 280.
- 1959
- Bertin-Mourot, Thérese. “Certitudes et incertitudes a propos de la Vierge assise sur des degrés.” Bulletin de la Société Poussin: Poussin Inconnu 2 (1959): 1 – 8.
- 1959
- Cooke, Hereward Lester. French Paintings of the 16th-18th Centuries in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Four in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 20, color repro., as by Poussin.
- 1959
- National Gallery of Art. Paintings Other Than French in the Chester Dale Collection. Washington, 1959 (reprinted 1965): 339, repro., as by Poussin.
- 1959
- Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 339, repro., as by Poussin.
- 1959
- Thuillier, Jacques. “Poussin, Nicolas.” In Encyclopedia of World Art. 17+ vols. New York, 1966, 11:557.
- 1960
- Chastel, André, ed. Actes du colloque international Nicolas Poussin: Paris, 19 – 2 septembre 1958. Centre national de la recherche scientifique. Colloques internationaux sciences humaines. 2 vols. Paris, 1960: 1:305.
- 1960
- Julian, René. “Poussin et le Caravagisme.” In Actes du colloque international Nicolas Poussin: Paris, 19 – 21 septembre 1958. Centre national de la recherche scientifique. Colloques internationaux sciences humaines. 2 vols., edited by Andre Chastel, 1:225-232. Paris, 1960: 1:230.
- 1960
- Kauffmann, Georg. “La Sainte Famille à l’escalier et le probléme des proportions dans l’oeuvre de Poussin.” In Actes du colloque international Nicolas Poussin: Paris, 19 – 21 septembre 1958. Centre national de la recherche scientifique. Colloques internationaux sciences humaines. 2 vols., edited by Andre Chastel, 1:141 – 150. Paris, 1960: 1:147 n.11.
- 1960
- Kaufman, George. Poussin-Studien. Berlin, 1960: 13, 14, 34, 36 – 53, 54, 58, 61, 62, 64, 66, 79, 80 – 81, 91, 97 – 98.
- 1960
- Paris 1960. "Exposition Nicolas Poussin" (Exh. cat. Musée du Louvre.) Paris, 1960: 175, nos. 212-214.
- 1961
- Bialostocki, Jan. Review of Georg Kaufmann, Poussin-Studien. The Art Bulletin 43, no. 1 (March1961): 68 – 72.
- 1961
- Blunt, Anthony. Review of Georg Kaufmann, Poussin-Studien. The Burlington Magazine 103, no. 699 (June1961): 285.
- 1961
- Ettlinger, Leopold D. Review of Georg Kaufmann, Poussin-Studien. Kunstchronik 14, no. 7 (1961): 196 – 199.
- 1961
- Walker, John, Guy Emerson, and Charles Seymour. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 139, color fig. 130, as by Poussin.
- 1962
- Cairns, Huntington, and John Walker, eds. Treasures from the National Gallery of Art. New York, 1962: 104, color repro., as by Poussin.
- 1962
- Davies, Martin, and Anthony Blunt. “Some Corrections and Additions to M. Wildenstein’s ‘Graveurs de Poussin au XVIIe siecle.’” Gazette des Beaux-Arts ser. 6, 60 (July – Aug. 1962): 210, no. 52.
- 1963
- Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 204, repro., as by Poussin.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 105, as by Poussin.
- 1966
- Blunt, Anthony. The Paintings of Nicolas Poussin. A Critical Catalogue. 2 vols. London, 1966: no. 53.
- 1966
- Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:290, color repro., as by Poussin.
- 1966
- Einem, Herbert von. “Poussin’s Madonna an der Treppe.” Wallraf-Richartz-Jahrbuch 28 (1966): 31 – 48.
- 1966
- Friedlaender, Walter. Nicolas Poussin: A New Approach. New York, 1966: 29, 67-68, 75, 94, 160-163, 186, 160.
- 1966
- Thuillier, Jacques. "Poussin, Nicolas." Encyclopedia of World Art New York (1966): 11:557.
- 1967
- Bertin-Mourot, Thérese. “Poussin et le blason des Guénégauds.” Bulletin de la Société Poussin 4 (1967): 2 – 7.
- 1967
- Blunt, Anthony. Nicolas Poussin: The A. W. Mellon Lectures in the Fine Arts (1958). 2 vols. New York, 1967. Reprint London, 1995: 1:26, 181 – 282, 215, 224, 227, 256 n. 56, 257, 263 – 264, 335.
- 1968
- Helsdingen, Hans Willem van. “Aantekeningen bij de ikonografie van Poussin.” Simiolus 3 (1968 – 1969): 153 – 179.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 92, repro., as by Poussin.
- 1969
- Badt, Kurt. Die Kunst des Nicolas Poussin. 2 vols. Cologne, 1969: 1:139, 232 – 233, 260, 361, 498 – 500.
- 1972
- Bandmann, Günter. “Bermerkungen zu Poussins Treppenmadonna.” Das Münster. Zeitschrift für Christliche Kunst und Kunstwissenschaft 25, nos. 5 – 6 (1972): 361 – 372.
- 1974
- Blunt, Anthony. “The Complete Poussin.” Review of Jacques Thuillier, L’opera completa di Poussin. The Burlington Magazine, no. 861 (Dec. 1974): 761.
- 1974
- Gash, John. Review of Howard Hibbard, Poussin: The Holy Family on the Steps. The Connoisseur 186 (June 1974): 153.
- 1974
- Hibbard, Howard. Poussin: The Holy Family on the Steps. New York, 1974: 1-117.
- 1974
- Thuillier, Jacques. L’opera completa di Poussin. Milan, 1974. French ed., Tout l’oeuvre peint de Poussin. Paris, 1974: no. 152.
- 1974
- Young, Eric. Review of Howard Hibbard, Poussin: The Holy Family on the Steps. Apollo 100 (1974): 87.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 274, repro., as by Poussin.
- 1976
- Dowley, Francis H. Review of Howard Hibbard, Poussin: The Holy Family on the Steps. The Art Bulletin 58 (June 1976): 297 – 300.
- 1976
- Harris, Ann Sutherland. Review of Howard Hibbard, Poussin: The Holy Family on the Steps. The Burlington Magazine 118 (Jan. 1976): 36 – 37.
- 1977
- Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 274-280, fig. 251, as by Poussin.
- 1977
- Pope-Hennessy, John. "Completing the Account." Review of Colin Eisler, Paintings from the Samuel H. Kress Collection, London 1977. Times Literary Supplement no. 3,927 (17 June 1977).
- 1979
- Blunt, Anthony. The Drawings of Poussin. New Haven and London, 1979: 71, 192 n. 9.
- 1979
- Hoffmann, Konrad. “Poussin Treppenmadonna." Kritische Berichte, Mitteilungen des Ulmer Vereins Verbund für Kunst-und Kulturwissenschaften 7, nos. 4 / 5 (1979): 15 – 42.
- 1980
- Wild, Doris. Nicolas Poussin. 2 vols. Zürich, 1980: 1:151 – 155, 193, 199, 200, 214, 216; 2: no. 138.
- 1981
- Blunt, Anthony. “Poussin Reconsidered: A Second Autograph Version of Poussin’s Midas Washing at the Source of the Pactolus.” The Connoisseur 206 (March 1981): 226 – 228.
- 1981
- Hasel, Christa von. “Kontroverse um Poussin.” Weltkunst 51 (1981): 3834.
- 1981
- Laclotte, Michel, and Pierre Rosenberg. “Poussin’s Holy Family on the Steps in the Cleveland Museum of Art” (letter to the editor). The Burlington Magazine 123, no. 944 (Nov. 1981): 676.
- 1981
- Pace, Claire. Félibien’s Life of Poussin. London, 198: 124, 159, no. 59.2.
- 1982
- Blunt, Anthony. “French Seventeenth-Century Painting: The Literature of the Last Ten Years.” The Burlington Magazine 124 (Nov. 1982): 707.
- 1982
- Brigstocke, Hugh. “France in the Golden Age.” Apollo 116 (July 1982): 12-13.
- 1982
- Lee, Sherman E. “Poussin’s Holy Family on the Steps in the Cleveland Museum of Art.” The Burlington Magazine 124, no. 948 (March 1982): 156 – 166.
- 1982
- Lurie, Ann Tzeutschler. “Poussin’s ‘Holy Family on the Steps’ in the Cleveland Museum of Art: New Evidence from Radiography.” The Burlington Magazine 124, no. 959 (Nov. 1982): 664 – 671.
- 1982
- Nilson, Lisbet. “Poussin’s Holy Family Feud.” Art News 81 (1982): 78 – 82.
- 1982
- Rosenberg, Pierre. "La peinture français du XVI siècle dans les collections américaines." (Exh. cat. Galeries nationales du Grand Palais, Metropolitan Museum of Art, and Art Institute of Chicago.) Paris, 1982: 371. English ed. "France in the Golden Age: Seventeenth-Century French Paintings in American Collections." New York, 1982.
- 1982
- Verdi, Richard. Review of Doris Wild, Nicolas Poussin. i: Leben, Werk, Exkurse. ii: Katalog der Werke. The Burlington Magazine 124 (Apr. 1982): 249.
- 1983
- Cropper, Elizabeth. Review of Oskar Bätschmann, Dialektik der Malerei von Nicolas Poussin. The Art Bulletin 65 (1983): 700 – 701.
- 1983
- Waterhouse, Ellis. “Shorter Notices, Letters: Poussin’s Holy Family on the Steps.” The Burlington Magazine 125 (Feb. 1983): 96.
- 1984
- Klemm, Alfred. “Poussin’s Holy Family on the Steps” (letter to the editor). The Burlington Magazine 126, no. 970 (Jan. 1984): 40.
- 1984
- Walker, John. "National Gallery of Art, Washington." New York, 1984: 313, no. 413, color repro., as by Poussin.
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 313, no. 413, color repro., as by Poussin.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 319, repro., as by Poussin.
- 1985
- Ford, Brinsley. "Pictures lost to the Nation." NACF Magazine 29 (Christmas 1985): 20.
- 1985
- Santucci, Paola. Poussin tradizione, ermetica e classicismo gesuita. Salerno, 1985: 73, 95.
- 1985
- Wright, Christopher. Poussin Paintings. A Catalogue Raisonné. London, 1985: 92, 93, 95, 204, no. 140b.
- 1988
- Léveque, Jean-Jacques. La vie et l’oeuvre de Nicolas Poussin. Paris, 1988: 47.
- 1990
- Bätschmann, Oskar. Nicolas Poussin. Dialectics of Painting. Trans. Marko Daniel. London, 1990: 25, 82-85. (First published in German, Zurich, 1982).
- 1990
- Kemp, Martin. The Science of Art. New Haven and London, 1990: 127, 281.
- 1990
- Mérot, Alain. Nicolas Poussin. New York, 1990: 176, 179, no. 42.
- 1990
- Somers Cocks, Anna. “Editorial: In Praise of Magnanimity.” Apollo (1990): 299.
- 1990
- Whalen, Karen S. “An Analysis of Nicolas Poussin’s Holy Family on the Steps of 1648.” Master’s thesis, University of Oregon, Portland, 1990: 1-152.
- 1991
- Duret-Robert, François. “Le depart de la Madonna en correctionnelle.” ConnArts 478
(1991): 150 – 151.
- 1993
- Carrier, David. Poussin’s Paintings: A Study in Art-Historical Methodology. University Park, Pa., 1993: 90, 178 n. 2, 180, 181, 215 – 217.
- 1993
- Silver, Larry. Art in History. New York, 1993: 252.
- 1993
- Thompson, James. “Nicolas Poussin.” The Metropolitan Museum of Art Bulletin 50 (1992 – 1993): 42.
- 1994
- Bishop, Philip E. Adventures in the Human Spirit. Englewood Cliffs, 1994: 265.
- 1994
- Léveque, Jean-Jacques. Nicolas Poussin. Le poète de la rigueur, 1594 – 1665. Paris, 1994: 28-29.
- 1994
- Melikian, Souren. “Revising Art History: Drawings Reveal a Modern Poussin.” International Herald Tribune (Oct. 1 – 2, 1994): 7.
- 1994
- Rosenberg, Pierre, and Antoine Prat. Nicolas Poussin, 1594 – 1665: catalogue raisonné des dessins. 2 vols. Milan, 1994: 1:606, 608, 610, 616, 632, 634; 2:782, 992, 1032, nos. 313 – 317.
- 1994
- Rosenberg, Pierre, and Louis-Antoine Prat. "Nicolas Poussin 1594–1665." (Exh. ca. Galeries nationales du Grand Palais.) Paris, 1994: 20, 397-402, no. 173.
- 1994
- Thuillier, Jacques. Nicolas Poussin. Paris, 1994: 73, no. 172.
- 1995
- Conisbee, Philip, and Ross Merrill. “Letters: Poussin’s ‘Holy Family on the Steps.’” The Burlington Magazine 137, no. 1102 (Jan. 1995): 37.
- 1995
- Honour, Hugh, and John Fleming. A World History of Art. 4th ed. London, 1995: 549-550.
- 1995
- Verdi, Richard, et al. "Nicolas Poussin, 1594–1665." (Exh. cat. Royal Academy of Arts.) London, 1995: 14, 46, 194-195, 263-265, no. 60.
- 1996
- Brigstocke, Hugh. “Variantes, copies et imitations. Quelques réflexions sur les méthodes de travail de Poussin.” In Poussin et Rome. Actes du colloque à l’Académie de France à Rome et à la Bibliotheca Hertziana. Ed. Oliver Bonfait. Paris and Rome, 1996: 210-212.
- 1996
- London 1996. "France in the Golden Age." (Exh. cat. Walpole Gallery.) London, 1996: under no. 21.
- 1996
- Mexico City and Washington 1996. "Obras Maestras de la National Gallery of Art." (Exh. cat. Museo Nacional de Antropologia.) Mexico City and Washington, 1996: unnumbered cat.
- 1997
- Chorpenning, Joseph F. “The Enigma of St. Joseph in Poussin’s Holy Family on the Steps.” Journal of the Warburg and Courtauld Institutes 60 (1997): 276 – 281.
- 1998
- Chorpenning, Joseph F., ed. The Holy Family in Art and Devotion. Philadelphia, 1998: 42.
- 1998
- Fumaroli, Marc. L’ école du silence: le sentiment des images au xvii e siècle. Paris, 1998: 591-592.
- 1998
- Keazor, Henry. Poussins Parerga: Quellen, Entwicklung und Bedeutung der Kleinkompositionen in den Gemälden Nicolas Poussins. Regensburg, 1998: 19, 24 n. 57, 44, 71 n. 53, 131, 133 – 140; 153, 156.
- 1999
- Cleveland Studies in the History of Art 4. Entire issue. Cleveland, 1999: 26-198.
- 1999
- Cropper, Elizabeth. “Conception and Deception: Poussin’s Mirrors.” In Cleveland Studies in the History of Art 1999: 76 – 95.
- 1999
- De Grazia, Diane, and Marcia Steele. “The Grande Machine.” In Cleveland Studies in the History of Art 1999: 64 – 75.
- 1999
- De Grazia, Diane. “Poussin’s Holy Family on the Steps in Context.” In Cleveland Studies in the History of Art 1999: 26 – 63.
- 1999
- Diederen, Roger. “Provenance: Holy Family on the Steps.” In Cleveland Studies in the History of Art 1999: 177 – 184.
- 1999
- Sawyer, Carol, assisted by Marcia Steele. “Poussin’s Holy Family on the Steps: New Technical Discoveries, Comparisons, and the Washington Copy.” In Cleveland Studies in the History of Art 1999: 112-160.
- 1999
- Steele, Marcia. “Appendix.” In Cleveland Studies in the History of Art 1999: 148 – 176.
- 1999
- Verdi, Richard. “The Modernity of the Holy Family on the Steps.” In Cleveland Studies of the History of Art 1999: 96 – 111.
- 2001
- Szanto, Mickaël. “The Taste for Poussin in Paris: The Case of Pierre Hennequin de Fresne.” The Burlington Magazine 143, no. 1177 (Apr. 2001): 196 – 203.
- 2009
- Conisbee, Philip, et al. French Paintings of the Fifteenth through the Eighteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2009: no. 84, 388-395, color repro.
- 2014
- Brown, Jonathan. In the Shadow of Velázquez: A Life in the History of Art. New Haven, 2014: 100-101, fig. 54.
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