Saint Jerome with Saint Paula and Saint Eustochium

c. 1640/1650

Francisco de Zurbarán

Painter, Spanish, 1598 - 1664

Media Options

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On View

West Building Main Floor, Gallery 34


Artwork overview

  • Medium

    oil on fabric

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall: 245.7 x 173.5 cm (96 3/4 x 68 5/16 in.)
    framed: 264.2 x 192.4 x 9.5 cm (104 x 75 3/4 x 3 3/4 in.)

  • Accession

    1952.5.88


Artwork history & notes

Provenance

Frank Hall Standish [1799-1840], Seville;[1] bequeathed to King Louis Philippe of France [1773-1850]; by descent to his heirs; (sale, Catalogue des tableaux formant la célèbre collection Standish léguée à S.M. feu le roi Louis Philippe par Mr. Frank Hall Standish, Christie, Manson & Woods, London, 27-28 May 1853, no. 112, as "Légende de Saint Dominique"); to Alphonse Oudry (sale, Hôtel Drouot, Paris, 16-17 April 1869, no. 157, as "Evêque instruisant deux religieuses");[2] (Oudry sale, Hôtel Drouot, Paris, 10 April 1876, no. 60, as "Evêque instruisant deux saintes religieuses"). Maximo Scioletti [d. 1951], Paris; purchased 1951 by (M. Knoedler & Co., New York); owned jointly with (Pinakos [Rudolf Heinemann], New York); sold February 1952 to the Samuel H. Kress Foundation, New York;[3] gift to NGA 1952.
[1] Standish bequeathed his important collection of Spanish pictures and drawings to Louis-Philippe, who added them to the Galerie Espagnole of the Louvre, where they were displayed until 1848.
[2] Because the painting was offered again by the same vendor in 1876, it might have been bought in at the 1869 sale.
[3] M. Knoedler & Co. Records, accession number 2012.M.54, Research Library, Getty Research Institute, Los Angeles: Stock book no. 10, p. 64, no. A4706, and Sales book no. 16, p. 383 (copies in NGA curatorial files). The 6 February 1952 invoice from Knoedler's to the Kress Foundation is also in NGA curatorial files. See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1855.

Associated Names

Exhibition History

1842

  • Galerie Espagnole du Musée Royal du Louvre, Paris, 1842-1848.

1987

  • Zurbarán, The Metropolitan Museum of Art, New York; Grand Palais, Paris, 1987-1988, 280-282, no. 57, repro. 281.

2015

  • Zurbarán: Master of Details, Museum Kunstpalast, Dusseldorf, 2015-2016, no. 50, repro.

Bibliography

1953

  • Soria, Martin S. The Paintings of Zurbarán. London, 1953: 182, no. 198, color repro. opp. 6.

1954

  • López-Rey, José. "The Real Zurbarán?" Review of The Paintings of Zurbarán by Martin S. Soria. In Art News (May, 1954): 53.

1956

  • Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 208, no. 83, repro., as by Francisco de Zurbarán.

1959

  • Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 271, repro., as by Francisco de Zurbarán.

1960

  • Guinard, Paul. Zurbarán et les peintres espagnols de la vie monastique. Paris, 1960: 115, 267, no. 485, repro.

1961

  • Walker, John, Guy Emerson, and Charles Seymour. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 142, color repro. pl. 134.

1962

  • Cairns, Huntington, and John Walker, eds. Treasures from the National Gallery of Art.. New York, 1962: 86, color repro., as by Francisco de Zurbarán.

1963

  • Torres Martín, Ramón. Zurbarán, el pintor gótico del siglo XVII. Seville, 1963: 231, no. 252.

  • Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 309, repro.

1965

  • Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 141, as by Zurbarán.

1966

  • Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:208, color repro., as by Zurbarán.

1968

  • National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 128, repro., as by Zurbarán.

1973

  • Gregori, Mina, and Tiziana Frati. L'opera completa di Zurbarán. Milan, 1973: no. 310, color pl. 48.

  • Finley, David Edward. A Standard of Excellence: Andrew W. Mellon Founds the National Gallery of Art at Washington. Washington, 1973: 89.

1975

  • European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 380, repro.

1977

  • Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 216-217, fig. 213, color repro.

  • Gudiol y Ricart, José, and Julián Gállego. Zurbarán 1598-1664. London, 1977: 105, no. 324, fig. 314.

  • Young, Eric. Review of European Paintings in the Toledo Museum of Art. In The Connoisseur 196 (1977): 69.

  • Young, Eric. Review of Paintings from the Samuel H. Kress Collection: European Schools excluding Italian by Colin Eisler. In Connoisseur 195, no. 784 (June 1977): 154.

1979

  • Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 63, pl. 46.

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 247, no. 312, color repro.

1985

  • European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 444, repro.

1990

  • Brown, Jonathan, and Richard G. Mann. Spanish Paintings of the Fifteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1990: 137-138, color repro. 139.

1996

  • Donahue, M. Patricia. Nursing, The Finest Art: An Illustrated History. St Louis, 1996: 88, color repro.

Wikidata ID

Q20177183


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