Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances
1769
Artist, British, 1724 - 1806

Captain Pocklington, who wears the uniform of the Scots Guard, retired from the third regiment in 1769, the same year that Stubbs painted this group portrait. Seated on the bench is the captain's wife, Pleasance, who is probably wearing bridal clothes. The woman standing behind Pleasance is presumably Pocklington's sister, Frances.
Stubbs' fame is based on his precise and naturalistic depictions of animals, primarily horses, even in paintings such as this that are ostensibly about human matters. Stubbs lived in a world fascinated with scientific inquiry; he himself actually performed dissections of animals to fully understand their anatomy.
Stubbs' interest in the structure and complexity of living things led him to adopt a working style in which he first painted the individual figures and then completed the background and secondary details. The subjects are arranged in a friezelike pattern against the darker, more muted shades of the massive tree and fanciful landscape. Stubbs was not invited to exhibit at the Royal Academy because he had been labeled as a horse painter, and his popularity sank even lower during the romantic era. Now in an age that looks back on pioneers such as Stubbs with fascination and respect, his stature as an artist has greatly increased.
More information on this painting can be found in the Gallery publication British Paintings of the Sixteenth through Nineteenth Centuries, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/british-paintings-16th-19th-centuries.pdf

West Building Main Floor, Gallery 61
Artwork overview
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Medium
oil on canvas
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Credit Line
Gift of Mrs. Charles S. Carstairs in memory of her husband, Charles Stewart Carstairs
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Dimensions
overall: 100.2 x 126.6 cm (39 7/16 x 49 13/16 in.)
framed: 120.7 x 146.4 x 7.6 cm (47 1/2 x 57 5/8 x 3 in.) -
Accession
1952.9.4
Artwork history & notes
Provenance
Painted for Samuel Sharpe Pocklington [d. 1781], Chelsworth Hall, Suffolk; by descent through his elder son, Colonel Sir Robert Pocklington, who married Catherine Blagrave, to John Blagrave, Calcot Park, Berkshire; (sale, Messrs. Foster, London, 28 June 1911, no. 102); purchased by Francis Howard for (M. Knoedler & Co., New York, London, and Paris); purchased by 1913 by Charles Stewart Carstairs [1865-1928], London; by inheritance to his wife, Mrs. Charles S. Carstairs [née Elizabeth Stebbins, d. 1949], London;[1] bequest 1952 to NGA.
[1] According to a letter (copy in NGA curatorial files) from Mrs. Carstairs to David Finley, 15 November 1947, the painting never left England, and always hung in the Carstairs house in London. Charles S. Carstairs was the director of Knoedler's London branch. Mrs. Carstairs' maiden name is provided in a letter of 13 February 1995 from Dr. Lorne Campbell, of the National Gallery, London, in NGA curatorial files.
Associated Names
Exhibition History
1927
Meisterwerke englischer Malerei aus drei Jahrhunderten, Secession, Vienna, 1927, no. 54, repro.
1930
English Conversation Pieces, Sir Philip Sassoon's, 45 Park Lane, London, 1930, no. 47 (souvenir, 49, repro.).
1934
British Art, Royal Academy of Arts, London, 1934, no. 395 (commemorative catalogue, no. 165, repro.).
1936
Loan to display with the permanent collection, Tate Gallery, London, 1936-1947.
1984
George Stubbs 1724-1806, Tate Gallery, London; Yale Center for British Art, New Haven, 1984-1985, no. 107, color repro., color detail, (catalogue by Judy Egerton).
2004
Stubbs & The Horse, Kimbell Art Museum, Fort Worth; The Walters Art Museum, Baltimore; The National Gallery, London, 2004-2005, no. 58, fig. 61.
Bibliography
1960
Cooke, Hereward Lester. British Painting in the National Gallery of Art. Washington, D.C., 1960 (Booklet Number Eight in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 24, color repro., as Colonel Pocklington with His Sisters.
1962
Cairns, Huntington, and John Walker, eds. Treasures from the National Gallery of Art. New York, 1962: 126, color repro., as Colonel Pocklington with His Sisters.
1963
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 319, repro., as Colonel Pocklington with His Sisters.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 126, as Colonel Pocklington with His Sisters.
1966
Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:356, color repro., as Colonel Pocklington and His Sisters.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 112, repro., as Colonel Pocklington with His Sisters.
Gandolfo, Giampaolo et al. National Gallery of Art, Washington. (Great Museums of the World.) New York, 1968: 147-148, color repro.
1971
Taylor, Basil. Stubbs. London, 1971: 37-38, pls. 57-59.
Praz, Mario. Conversation Pieces. London, 1971: 134, color cover and color fig. 95.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 334, repro., as Colonel Pocklington with His Sisters.
Walker, John. National Gallery of Art, Washington. New York, 1975: no. 529, color repro.
1979
Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 92, pl. 79.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 368, no. 516, color repro., as Colonel Pocklington and His Sisters.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 384, repro.
1992
Hayes, John. British Paintings of the Sixteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1992: 259-261, color repro. 260.
National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 144, repro.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 282-283, no. 230, color repro.
Inscriptions
lower right: Geo: Stubbs / pinxit 1769
Wikidata ID
Q20178403