Inscription
on the banderole around the saint's reed cross: [ECCE] ANIVS DEI QVI T[OLLIT PECCATUM MUNDI]
Provenance
Marquis Pietro Francesco Rinuccini, Florence, by 1852; (his sale, Palazzo Rinuccini Fondacci di Santo Spirito, Florence, 1 May 1852, no. 128, as by Botticelli, possibly bought in); by inheritance to Marianna Rinuccini, who in 1855 married Marquis Giorgio Trivulzio [d. 1856], Milan;[1] Trivulzio family, Milan, until at least 1931.[2] (Count Alessandro Contini-Bonacossi, Florence); sold October 1937 to the Samuel H. Kress Foundation, New York;[3] gift 1939 to NGA.
Bibliography
- 1941
- Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 181-182, no. 394.
- 1942
- Book of Illustrations. National Gallery of Art, Washington, 1942: 247, repro. 187.
- 1945
- Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 56, repro.
- 1959
- Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 70, repro.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 122.
- 1968
- European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 109, repro.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 324, repro.
- 1979
- Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:425, II:pl. 304.
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 100, no. 69, color repro.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 371, repro.
- 1985
- Mündler, Otto. "The Travel Diaries of Otto Mündler." Ed. Carol Togneri Dowd. Walpole Society 51 (1985): 92, 265.
- 1992
- Semenzato, Camillo. Genio e botteghe: L'arte nell'Europa tra medio evo ed etá Moderna. Milan, 1992: 19, color repro.
- 2003
- Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 632-636, color repro.
- 2009
- Miziołek, Jerzy. "Orpheus and Eurydice: Three Spalliera Panels by Jacopo del Sellaio." I Tatti Studes in the Italian Renaissance 12 (2009): 122.
- 2011
- Land, Norman E. "Interviewing the Art of Jacopo del Sellaio." SECAC Review 16, no. 1 (2011): 6 fig. 5, 7.
