An Emperor and Concord

Cristoforo di Geremia

Artist, Roman, active 1456 - 1476

Media Options

Skip thumbnail navigation Back to thumbnail navigation
This object’s media is free and in the public domain. Read our full Open Access policy for images.
On View

West Building Ground Floor, Gallery G15


Artwork overview

  • Medium

    bronze//Medium brown patina

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall: 7.11 x 7.05 cm (2 13/16 x 2 3/4 in.)
    gross weight: 121.3 gr (0.267 lb.)

  • Accession

    1957.14.179


Artwork history & notes

Provenance

Gustave Dreyfus [1837-1914], Paris; his estate; purchased 1930 by (Duveen Brothers, Inc., London and New York); purchased 1945 by the Samuel H. Kress Foundation, New York; gift 1957 to NGA.

Associated Names

Bibliography

1886

  • Molinier, Émile. Les Bronzes de la Renaissance. Les Plaquettes; Catalogue Raisonné. 2 vols. Paris, 1886:, 1:60, no. 90, note.

1908

  • Migeon, Gaston. "La collection de M. Gustave Dreyfus, V: Les plaquettes." Les Arts 80 (August 1908): 27, pl. 22, no. 8.

1931

  • Ricci, Seymour de. The Gustave Dreyfus Collection. Reliefs and Plaquettes. Oxford, 1931: 48, no. 55, pl. 19.

1951

  • Renaissance Bronzes: Statuettes, Reliefs and Plaquettes, Medals and Coins from the Kress Collection. Introduction by Perry B. Cott. National Gallery of Art, Washington, 1951: 143, as Augustus and Abundance.

1965

  • Pope-Hennessy, John W. Renaissance Bronzes from the Samuel H. Kress Collection: Reliefs, Plaquettes, Statuettes, Utensils and Mortars. London, 1965: 19-20, no. 54, fig. 19.

1983

  • Wilson, Carolyn C. Renaissance Small Bronze Sculpture and Associated Decorative Arts at the National Gallery of Art. Washington, 1983: 31, no. 3.

2001

  • Palmer, Allison Lee. "The Walters' Madonna and Child Plaquette and Private Devotional Art in Early Renaissance Italy." The Journal of the Walters Art Museum 59 (2001): 83 n. 24.

2011

  • Rossi, Francesco. La collezione Mario Scaglia: placchette. 3 vols. Bergamo, 2011: 1:83, under Prototipo, M.10, as Allegory of the Peace of the Church.

Inscriptions

between the serpents' heads on the caduceus: .OIX [or] BIX

Markings

Reverse bears former inventory numbers 60 in red paint (Dreyfus) and 55 in yellow paint (Ricci 1931).

Wikidata ID

Q63814971


You may be interested in

Loading Results