Skip to Main Content

Inscription

around circumference: L[udovicus] AQVILEGIENSIVM PATRIARCA ECCLESIAM RESTITVIT

Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.

Exhibition History

1988
Da Pisanello alla nascita dei Musei Capitolini: L'Antico a Roma alla vigilia del Rinascimento, Musei Capitolini, Rome, 1988, no. 22.
2011
The Portrait in Renaissance Italy: From Masaccio to Bellini, Gemäldegalerie, Staatliche Museen zu Berlin; The Metropolitan Museum of Art, New York, 2011-2012, no. 141, repro.
2018
Leonardo da Vinci and The Battle of Anghiari: The Mystery of Tavola Doria, Hokkaido Museum of Modern Art, Sapporo; Hiroshima Prefectural Art Museum; Museum of Art, Ehime, Matsuyama; Nagoya City Art Museum; Fukuoka City Museum, 2018, not in catalogue (shown only in Nagoya and Fukuoka).

Bibliography

1967
Hill, George Francis, and Graham Pollard. Renaissance Medals from the Samuel H. Kress Collection at the National Gallery of Art. London, 1967: no. 212.
2007
Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 1:no. 242, repro.
2011
Luciano, Eleonora, ed. Antico: The Golden Age of Renaissance Bronzes. Exh. cat. National Gallery of Art, Washington. London, 2011: 2, fig. 2, as Medal of Ludovico Trevisan with Triumphal Procession.
2020
Malgouyres, Philippe. De Filarete à Riccio. Bronzes italiens de la Renaissance (1430-1550). La collection du musée du Louvre. Paris, 2020: 50-52, 50 fig, 11, dating the Trevisan medal to 1440, thus one of the earliest Renaissance medals.

Related Content

  • Sort by:
  • Results layout:
Show  results per page
The image compare list is empty.