Barbican [reverse]

1472/1480

Attributed to Giovanni Candida

Associated Names
Giovanni Candida

Sculptor, Italian, French school, before 1450 - c. 1499

This is a photograph of a coin. The image shows a bronze-toned coin with engraved text and intricate designs. The coin features the words "NVL," "NE," "SI," and "FROTE," along with an emblematic symbol at the center that resembles a palm or a similar plant. Surrounding the central motif, there is an ornate border design of leaves and swirling patterns.

Media Options

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Artwork overview

  • Medium

    bronze

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall (diameter): 4.48 cm (1 3/4 in.)
    gross weight: 54.64 gr (0.12 lb.)
    axis: 6:00

  • Accession Number

    1957.14.818.b

Associated Artworks

The sculpture depicts the profile of a man with curly hair wearing a detailed headband in a side view. The man has detailed facial features and hair. The sculpture is made from a bronze-like material with an aged appearance, a mix of brown and greenish patina. There is a circular inscription that reads "ANTHONIVS . B ." on the left side and "DE BVRGVDIA" on the right.

Antoine, 1421-1504, Grand Bastard of Burgundy [obverse]

Giovanni Candida

1472


Artwork history & notes

Provenance

(Aimé Charles) Horace His de la Salle [1795-1878], Paris; (his estate sale, Sotheby's, London, 22-25 November 1880, 1st day, no. 59); Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.
[1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, The Gustave Dreyfus Collection: Renaissance Medals, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Associated Names

Bibliography

2007

  • Pollarld, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 1:no. 258, repro.

Inscriptions

across center inscribed in wreath: NVL / NE SI / FROTE

Wikidata ID

Q63847396

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