Lavinia Fontana, 1552-1614, Bolognese Painter [obverse], 1611

West Building, Ground Floor — Gallery G16

Medium

bronze

Dimensions

overall (diameter): 6.55 cm (2 9/16 in.)
gross weight: 75.12 gr (0.166 lb.)
axis: 12:00

Credit Line

Samuel H. Kress Collection

Accession Number

1957.14.1071.a

Artists / Makers

Felice Antonio Casone (medalist) Bolognese, 1559 - 1634

Image Use

This image is in the public domain.
Read our full Open Access policy for images .

Inscription

around top circumference: LAVINIA FONTANA ZAPPIA PICTRIX 1611; around bottom circumference:ANT[onio] CASONI

Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.

[1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, The Gustave Dreyfus Collection: Renaissance Medals, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Associated Names

Dreyfus, Gustave
Duveen Brothers, Inc.
Kress Foundation, Samuel H.

Exhibition History

1998: Lavinia Fontana of Bologna 1552-1614, National Museum of Women in the Arts, Washington, D.C., 1998, no. 33, repro.

2000: The Power of Appearances: Renaissance and Reformation Portrait Prints, Hood Museum of Art, Dartmouth College, Hanover, 2000, no cat.

2019: A Tale of Two Women Painters: Sofonisba Anguissola and Lavinia Fontana, Museo Nacional del Prado, Madrid, 2019 - 2020, no. 21, repro.

2021: By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500–1800, Wadsworth Atheneum Museum of Art, Hartford; The Detroit Institute of Arts, Detroit, 2021 - 2022, no. 31.

Bibliography

1967: Hill, George Francis, and Graham Pollard. Renaissance Medals from the Samuel H. Kress Collection at the National Gallery of Art. London, 1967: no. 477.

1983: Wilson, Carolyn C. Renaissance Small Bronze Sculpture and Associated Decorative Arts at the National Gallery of Art. Washington, 1983: 189, no. 50.

2007: Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 1:no. 548, repro.

2007: Wilson, Carolyn C. "Reviewed Work(s): Reading Vasari by Anne B. Barriault, Andrew Ladis, Norman E. Land and Jeryldene M. Wood." The Sixteenth Century Journal 38, 4 (Winter 2007): 1142.

2023: Lugli, Emanuele. "Lavinia Fontana's Freedom." Art History 46 (2023): 10, fig. 5.