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Inscription

lower right on a cartello: LVDVVICVS VIVA / RINVS . PINXIT

Provenance

Mameli, Rome.[1] William Jones, Clytha Park, Gwent, Wales; (his sale, Christie & Manson, London, 8 May 1852, no. 65).[2] (Thomas [Tomás] Harris, London), by 1930;[3] purchased by Godfrey Locker-Lampson [1875-1946], Barlborough Hall, Derbyshire, and London, by 1937;[4] purchased by (Count Alessandro Contini Bonacossi, Florence);[5] sold September 1938 to the Samuel H. Kress Foundation, New York;[6] gift 1939 to NGA.

Exhibition History

1940
Four Centuries of Venetian Painting, Toledo Museum of Art, Ohio, 1940, no. 70, repro., as Saint Jerome.

Bibliography

1930
Borenius, Tancred. “An Unpublished Work by Alvise Vivarini.” Der Cicerone 22 (1930): 500, 501, repro.
1937
Douglas, Robert Langton. A Few Italian Pictures Collected by Godfrey Locker-Lampson. London [1937]: 44, 45, repro.
1940
Suida, Wilhelm. "Die Sammlung Kress: New York." Pantheon 26 (1940): 274-276.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 211, no. 438.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 248, repro. 206.
1946
Longhi, Roberto. Viatico per cinque secoli di pittura veneziana. Florence, 1946: 14, 59, pl. 71.
1957
Berenson, Bernard. Italian Pictures of the Renaissance. Venetian School. 2 vols. London, 1957: 1:196; 2: pl. 332.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 146, repro.
1961
Pallucchini, Rodolfo. I Vivarini (Antonio, Bartolomeo, Alvise). Venice, 1961: 55, 58, 72, 131, pl. 223.
1963
Marini, Remigio. “I Vivarini e il vivarinismo.” Emporium 138 (November 1963): 198, 203, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 136.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 124, repro.
1968
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 48-49, fig. 110.
1969
Longhi, Roberto. “Ritorni e progressi su Alvise.” Paragone 20, no. 229 (1969): 39.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 210, 409.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 366, repro.
1975
Zeri, Federico. “Primizie di Alvise Vivarini.” Antichità Viva 14 (1975): 171-173, pl. 150.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:535-536; 2:pl. 372.
1979
Sutton, Denys. "Robert Langton Douglas. Part IV." Apollo 109 (July 1979): 7-8 [199-200], 12 [204] fig. 21.
1980
Friedmann, Herbert. A Bestiary for Saint Jerome: Animal Symbolism in European Religious Art. Washington, DC, 1980: 77, fig. 61.
1980
Ragghianti, Carlo L. “Galleria di Washington.” Critica d’Arte 45, nos. 154-156 (1980): 220.
1982
Steer, John. Alvise Vivarini: His Art and Influence. Cambridge, 1982: 11, 14-15, 16, 167, 179, 180, 194, cat. 40, pl. 6.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 426, repro.
1995
Bettagno, Alessandro, and Giorgio Fossaluzza. “Interpretazioni del paesaggio nella pittura veneta.” In Alessandro Bettagno, ed. Natura e arte nel paesaggio veneto. Dalle interpretazioni pittoriche alle immagine fotografiche. Turin, 1995: 140, fig. 24.
1997
Zeri, Federico, and Andrea G. De Marchi. La Spezia, Museo Civico Amedeo Lia. Dipinti. La Spezia, 1997: 352.
2003
Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 675-679, color repro.
2023
Müller, Rebecca. Die Vivarini: Bildproduktion in Venedig 1440 bis 1505. Regensburg, 2023: 149, 268 n. 256, 343 n. 168, 401 n. 250, 438, fig. 85.

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