Charlotte-Marie de Montmorency, 1594-1650, Wife of Henri de Bourbon 1609 [reverse]

1611

Guillaume Dupré

Associated Names
Guillaume Dupré

Artist, French, c. 1574 - 1642

The image shows a bas-relief portrait of a woman in profile facing right. She has elaborate styled hair with floral adornments. She wears an ornate collar and necklace. The sculpture is reddish-brown. There is a fan in the background and an inscription on the outer edge. The relief is detailed with a sense of depth and texture.

Media Options

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Artwork overview

  • Medium

    bronze

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall (diameter): 5.68 cm (2 1/4 in.)
    gross weight: 49.22 gr (0.109 lb.)
    axis: 12:00

  • Accession Number

    1957.14.1155.b

Associated Artworks

The sculpture is a bas-relief medallion featuring a profile portrait of a man with a distinguished beard and curly hair. The man appears to be wearing period clothing, including an elaborate lace collar and a sash across his chest. The medallion is made of bronze, giving it a warm, golden-brown color that complements the intricate detailing of the subject's attire and facial features. Surrounding the portrait is a border with raised lettering. The medallion's surface is smooth, with subtle variations in texture highlighting the depth of the sculptural work.

Henri II de Bourbon, 1588-1646, 3rd Prince of Condé, first Prince of the Blood [obverse]

Guillaume Dupré

1611


Artwork history & notes

Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.
[1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, The Gustave Dreyfus Collection: Renaissance Medals, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Associated Names

Bibliography

2007

  • Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 2:no. 641, repro.

Inscriptions

around circumference: CAR[lotta] MARIA MOMMORANTIA PRINCIP[is] CONDAEI VXOR; lower left: DVPRE; lower left incised on truncation: 1611

Wikidata ID

Q63851688

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