Inscription [reverse]

probably 1540

Friedrich Hagenauer

Associated Names
Friedrich Hagenauer

Artist, German, active c. 1525 - 1546

The image shows a round, flat sculpture resembling a medallion or coin with a raised Latin inscription. The sculpture appears to be made of a metal material with a warm, brownish coloration and hints of darker areas suggesting oxidation or patina. The surface is worn with blemishes and a small hole near the top. The letters are engraved into the metal, standing out by casting shadows, enhancing the visibility of the inscribed words. The texture suggests it is an antique piece, contributing to its historical appearance.

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.

Artwork overview

  • Medium

    bronze

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall (diameter): 4.79 cm (1 7/8 in.)
    gross weight: 26.77 gr (0.059 lb.)
    axis: 12:00

  • Accession Number

    1957.14.1188.b

Associated Artworks

The sculpture is a circular medallion featuring a relief portrait of a man in profile, facing left. The subject appears to be wearing a robe with a broad collar. The sculpture is cast in bronze. Around the edge of the medallion, there is an inscription. The heads are embossed to give a sense of depth. A small hole is present at the top of the medallion.

Johannes Mulicum, Infirmarian of the Cistercian Monastery at Kamp near Neuss [obverse]

Friedrich Hagenauer

1540


Artwork history & notes

Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.
[1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, The Gustave Dreyfus Collection: Renaissance Medals, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Associated Names

Bibliography

2007

  • Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 2:no. 706, repro.

Inscriptions

across center: AVGV[sta] I[n] EP[u]LA / MELI[u]S EST ORARE/ CV[m] SILENTIO CORDIS / QVA[m] SOLVM VERBVM / S INE INTVITV / MENTIS / MDXXXX

Wikidata ID

Q63854603

You may be interested in

Loading Results