Caspar von Mulheim, 1506-1570/1571, Counselor of Cologne [obverse]

1543

Friedrich Hagenauer

Associated Names
Friedrich Hagenauer

Artist, German, active c. 1525 - 1546

The sculpture is a relief carving depicting a man in profile view facing the right. He wears a fur-trimmed garment and a cap. The artwork is on a circular medium resembling a medallion or coin, with the portrait in the center. There is an inscription along the rim, slightly worn, in a serif font. The material seems to be a dull metallic color like silver, giving it an antiquated appearance. The relief shows detailed features of the man's face, beard, and attire, reflecting skilled craftsmanship.

Media Options

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Artwork overview

  • Medium

    lead

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall (diameter): 4.61 cm (1 13/16 in.)
    gross weight: 29.1 gr (0.064 lb.)
    axis: 12:00

  • Accession Number

    1957.14.1191.a

Associated Artworks

This is a photograph of an old silver coin. The coin features engraved text around the edge and bears a coat of arms or an emblem in the center. The overall appearance of the coin suggests significant age, indicated by the wear and patina visible on its surface. The text appears to be in a Latin alphabet and encircles a central design that looks to be a shield or emblem with a cross and other symbols. The craftsmanship suggests a historic minting process.

Shield with House-mark [reverse]

Friedrich Hagenauer

1543


Artwork history & notes

Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.
[1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, The Gustave Dreyfus Collection: Renaissance Medals, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Associated Names

Bibliography

1967

  • Hill, George Francis, and Graham Pollard. Renaissance Medals from the Samuel H. Kress Collection at the National Gallery of Art. London, 1967: no. 595.

2007

  • Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 2:no. 711, repro.

Inscriptions

around circumference: CASPAR VAN MVLLEM SYNES ALDERS IM XXXVII IAER

Wikidata ID

Q63854608

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