Inscription [reverse]

1526

Friedrich Hagenauer

Associated Names
Friedrich Hagenauer

Artist, German, active c. 1525 - 1546

The sculpture is a round, flat medal featuring inscriptions etched into its surface. The material appears to be a metallic substance, likely bronze or a similar alloy, evidenced by its dull, brownish-gray coloration. The inscriptions are written in Latin, containing a series of names and titles arranged in centered lines across the disc-like surface. The text appears to be raised from the surface, suggesting it was cast or engraved on the medal. The formations of the letters showcase a historical style typical of engraving techniques. The overall appearance is that of a commemorative or honorary piece, rendered in a subdued metallic tone with a slightly tarnished surface.

Media Options

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Artwork overview

  • Medium

    lead//After-cast

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall (diameter): 6.9 cm (2 11/16 in.)
    gross weight: 73.74 gr (0.163 lb.)
    axis: 12:00

  • Accession Number

    1957.14.1306.b

Associated Artworks

The sculpture is a circular bronze medal with the profile of a man in a Renaissance-style outfit. The man has detailed facial features, a prominent nose, and curly hair under a cap. He wears a chain over his shoulder. The bronze gives it a metallic appearance. The border has a braided design. The small scale resembles a historical medallion, showcasing craftsmanship in relief sculpture.

Caspar Wintzerer, 1465 or 1475-1542, Bavarian Soldier [obverse]

Friedrich Hagenauer

1526


Artwork history & notes

Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.
[1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, The Gustave Dreyfus Collection: Renaissance Medals, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Associated Names

Bibliography

2007

  • Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 2:no. 692, repro.

Inscriptions

across center: DIVORVM MAXIMIL ET CAROLI EIVS NEPOT ROM IMPP TRIBVTVS MILIT CASPAR VVINNTZRER AVRATVS M D XXVI H

Wikidata ID

Q63854618

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