The Adoration of the Christ Child

c. 1440/1445

Bicci di Lorenzo

Related Artist, Florentine, 1373 - 1452

Workshop of Bicci di Lorenzo

Attributed to

A woman kneels and gazes at a nude baby boy half-sitting on the ground to the left in this vertical painting. A man with a gray beard and hair kneels to the left, and all three people have gold halos. Two more people wearing brown robes are under a wooden structure over a trough in the background. All the people have pale skin with rosy cheeks. Just to the right of center, the woman’s blond hair is covered by a light brown and blush-pink veil, and she bows her head to look at the boy with her hands pressed together at her chest. A marine-blue mantle is draped over her coral-pink robe. The nude child faces the woman and reaches his far hand to grasp the edge of her mantle. He leans back slightly, as if supported against the knees of the man behind him. The older man faces our right and wears a saffron-orange mantle draped over his spruce-blue robe. The wooden staff he holds with both hands rests against his near shoulder. The staff is cut off by the left edge of the composition. The ground beneath the child and woman is carpeted with dark green grasses and tiny tan, white, and dark blue flowers. The structure behind the trio has a shallowly pitched flat roof held up by slender beams. An ox and donkey eat at a wooden trough inside and are flanked by two pale-skinned men in robes. The man on the left has dark blond hair and the other has brown hair and rests a staff in the crook of one elbow. A tall, rocky mountain and muted blue-green sky fill the background.

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Artwork overview

  • Medium

    tempera on poplar panel

  • Credit Line

    Timken Collection

  • Dimensions

    painted surface: 47 x 35 cm (18 1/2 x 13 3/4 in.)
    overall: 48 x 36.2 cm (18 7/8 x 14 1/4 in.)

  • Accession Number

    1960.6.25


Artwork history & notes

Provenance

Mr. Banti, Florence, early 20th century.[1] Raoul Tolentino, Florence; (his sale, American Art Association, New York, 21-27 April 1920, no. 884). William R. Timken [1866-1949], New York; by inheritance to his widow, Lillian Guyer Timken [1881-1959], New York; bequest 1960 to NGA.
[1] According to a handwritten note on the back of an old photograph of the painting, conserved in the Biblioteca Berenson at I Tatti, Florence, the panel was "formerly the property of Mr. Banti, Via delle Ruote, Florence." Miklòs Boskovits suspects that "Mr. Banti" was L.M. Banti, whose collection was sold in Florence by Cesare Galardelli on 14-16 April 1926. However, the 1920 Tolentino auction indicates that if the painting did belong to L.M. Banti, it left his collection well before its sale. Furthermore, the only Nativity in the rather carelessly compiled Banti sale catalogue (cat. 30, listed without measurements and attribution) is said to have been painted on canvas.

Associated Names

Bibliography

1985

  • European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 153, repro.

2003

  • Boskovits, Miklós, David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, 2003: 139-141, color repro.

2006

  • Fahy, Everett. "Early Italian paintings in Washington and Philadelphia." The Burlington Magazine 148, no. 1241 (August 2006): 539 n. 5, as by the Master of the Johnson Tabernacle.

Wikidata ID

Q20173593


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