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Corner (Cornaro) family, Venice; John Udny [1757-1800], British Resident in Venice; Angelica Kauffmann [1741-1807], painter, Rome;[1] probably acquired from her estate by Antonio Canova [1757-1822], sculptor, Rome; gift 1816 to William Richard Hamilton [1777-1859], London;[2] his descendants until the early twentieth century.[3] (P. and D. Colnaghi, London). (Howard Young Galleries, New York), in 1930. William R. Timken [1866-1949], New York, by 1933;[4] by inheritance to his widow, Lillian Guyer Timken [1881-1959], New York; bequest 1960 to NGA.

Exhibition History
Loan for display with permanent collection, Georgia Museum of Art, University of Georgia, Athens, 1967-1971.
Loan for display with permanent collection, Museum of Fine Arts, St. Petersburg, Florida, 1976-1978.
Extended loan for use by Secretary Casper W. Weinberger, U.S. Department of Defense, Washington, D.C., 1981-1988.
Hadeln, Detlev von. “Ein Gruppenbildnis von Tizian.” Pantheon 3 (1929): 10-11.
Heil, Walter. “A Titian Portrait Painted about 1520.” International Studio 95 (1930): 21, 88.
Suida, Wilhelm. Tizian. Zürich and Leipzig, 1933: 78, 148.
Venturi, Lionello. Italian Paintings in America. Translated by Countess Vanden Heuvel and Charles Marriott. 3 vols. New York and Milan, 1933: 3:no. 512.
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 131, as Group Portrait, Attributed to Titian.
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 118, repro., as Group Portrait, Attributed to Titian.
Wethey, Harold. The Paintings of Titian. 3 vols. London, 1969-1975: 2(1971):170.
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 203, 522, 647.
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 348, repro., as by Titian and Assistant.
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:497-498, II:pl. 350, as Attributed to Titian and Assistant.
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 399, repro.
Bodon, Giulio. Heroum imagines: La sala dei giganti a Padova. Un monumento della tradizione classica e della cultura antiquaria. Forward by Irene Favaretto, with interventions by Elisabetta Saccomani and Carla Ravazzolo. Venice, 2009: 31-32.
Averett, Matthew Knox. "Becoming Giorgio Cornaro: Titian's 'Portrait of a Man with a Falcon'." Zeitschrift für Kunstgeschichte 4 (2011): 562, 563, fig. 2.
Tostmann, Oliver. "Sebastiano del Piombos Bildnis Bendinello Saulis und das Kardinalsporträt im frühen Cinquecento." Zeitschrift für Kunstgeschichte 3 (2011): 344, fig. 25.
Joannides, Paul. “Papers dedicated to Peter Humfrey, part I: A Portrait by Titian of Girolamo Cornaro.” Artibus et historiae 67 (2013): 247, fig. 7.