Marie-Antoinette
after 1783
Painter


West Building Ground Floor, Gallery G11
Artwork overview
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Medium
oil on canvas
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Credit Line
-
Dimensions
overall: 92.7 × 73.1 cm (36 1/2 × 28 3/4 in.)
framed: 141.61 × 99.06 × 17.78 cm (55 3/4 × 39 × 7 in.) -
Accession
1960.6.41
Artwork history & notes
Provenance
Comte Charles de Damas. Comte Arthur de Vogüé. Saint collection. (Wildenstein & Co., Inc., Paris and New York); (Reinhardt Galleries, New York); William R. Timken [1866-1949], New York, by 1928;[1] by inheritance to his widow, Lillian Guyer Timken [1881-1959], New York; bequest 1960 to NGA.
[1] The painting was lent by the Timkens in 1928 to an exhibition in New York.
Associated Names
Exhibition History
1928
Loan Exhibition of Paintings from Memling, Holbein and Titian to Renoir and Picasso, Reinhardt Galleries, New York, 1928, no. 17, repro., as by Marie Elisabeth Vigee Lebrun.
1955
Marie-Antoinette, grchiduchesse, dauphine et reine. (Exh. cat. Château de Versailles.) Paris, 1955: 40, under no. 59.
1967
Loan for display with permanent collection, Georgia Museum of Art, University of Georgia, Athens, 1967-1971.
2008
Marie-Antoinette, Galeries nationales du Grand Palais, Paris, 2008, no. 228, repro., as Marie-Antoinette en chemise ou en gaulle.
2016
Marie Antoinette, a Queen at Versailles, Mori Arts Center Gallery, Tokyo, 2016-2017, no. 133, repro.
Bibliography
1928
“New York.” Pantheon 4, no. 4 (Apr. 1928): 218, 219, repro.
1955
Marie-Antoinette, archduchesse, dauphine et reine. Exh. cat., Chateau de Versailles. Paris, 1955: 40, under no. 59.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 137.
1967
Bischoff, Ilse. “Vigée-Lebrun and the Women of the French Court.” Antiques 92, no. 5 (Nov. 1967): 710, 709, fig. 7.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 124, repro.
Garland, Madge. “Rose Bertin: Minister of Fashion.” Apollo 87, no. 71 (Jan. 1968): 43, fig. 6.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 366, repro.
1981
Bernier, Olivier. The Eighteenth-Century Woman. Garden City, New York, 1981: 139, repro.
1984
Ribeiro, Aileen. Dress in Eighteenth-Century Europe 1715 – 1789. London, 1984: 153, fig. 96.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 425, repro.
1988
Ribeiro, Aileen. Fashion in the French Revolution. London, 1988:33, repro.
1992
Gutwirth, Madelyn. The Twilight of the Goddesses: Women and Representation in the French Revolutionary Era. New Brunswick, N.J., 1992: 147, fig. 22.
1995
Ribeiro, Aileen. The Art of Dress: Fashion in England and France 1750 to 1820. New Haven and London, 1995: 71, fig. 74.
Cox, James A. “Asylum for a Queen.” Colonial Williamsburg 18, no. 1 (Autumn 1995): opp. 39, repro.
2008
Salmon, Xavier. “Si Marie-Antoinette nous était contée . . . parti pris d’une exposition.” L’Estampille / L’Objet d’Art 433 (March 2008): 36.
2009
Conisbee, Philip, et al. French Paintings of the Fifteenth through the Eighteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2009: no. 95, 449-454, color repro.
Inscriptions
On stretcher: small paper rectangle, printed, "20.728"; small piece of paper with handwritten inscription, "peint en 1783/ Me. Vigée-LeBrun"; label, "BALTIMORE MUSEUM OF ART / 101 WEST MONUMENT STREET, BALTIMORE, MD/ Marie Antoinette/ By Mme Vigee LeBrun/ Box #V 24.1"; oval label with blue printed border, inscribed, "9".
Wikidata ID
Q20179240