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Provenance

Possibly commissioned c. 1510 by a Carmelite monastery in Brescia, Italy; probably sold into the Manfrin collection, Venice, formed in part by Girolamo Manfrin [d. 1801]; by inheritance to Pietro Manfrin; by inheritance to Giulia-Giovanna Manfrin-Plattis [d. 1848/1849];[1] collection divided between Marquis Antonio-Maria Plattis and Bortolina Plattis, widow of Baron Sardagna; (Plattis sale, Hôtel Drouot, Paris, 13 May 1870, no. 73). Charles A. Loeser [1864-1928], Florence, from the 1890s; by inheritance to his daughter, Mrs. Ronald Calnan, Milan; sold 1954 to (Count Alessandro Contini Bonacossi, Florence);[2] sold 1954 to the Samuel H. Kress Foundation, New York;[3] gift 1961 to NGA.

Exhibition History

1939
La Pittura Bresciana del Rinascimento, Palazzo Tosio-Martinengo, Brescia, 1939, no. 156, repro.
1990
Giovanni Gerolamo Savoldo: tra Foppa Giorgione e Caravaggio, Moastero S. Giulia, Brescia, 1990, no. I.2, and Schirn Kunsthalle, (as Giovanni Gerolamo Savoldo und die Renaissance zwischen Lombardei und Venetien, no. I.4).

Bibliography

1956
Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 162, no. 63, repro.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 162, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 121.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 108, repro.
1968
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 89-90, fig. 215.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 322, repro.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:418-419; 2:pl. 299.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 223, no. 274, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 369, repro.
1991
Morandotti, Alessandro. "La fortuna collezionistica della pittura gotica e rinascimentale fra Ottocento e Novecento." In Mauro Natale, ed. Pittura italiana dal '300 al '500. Milan, 1991: fig. 17.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 107, no. 82, color repro.
2007
Mancini, Vincenzo. “Un inedito Dosso giovanile e un Dosso mancato.” In Alessandro Ballarin, ed. Il Camerino delle Pitture di Alfonso I. 6: Dosso Dossi e La Pittura a Ferrara negli anni Del Ducato di Alfonso I. Atti del Convegno di Studio, Padova, Palazzo del Bo, 9-11 maggio 2001. Padua, 2007: 122.
2018
Casciello, Alberto Maria. "Per l'iconografia del profeta Elia di Girolamo Savoldo." Rivista dell'Istituto Nazionale d'Archeologia e Storia dell'Arte 73 (III S., XLI, 2018): 245-282, figs. 1 and 4, 5, 8, 9, 22-24 (details).

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