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Inscription

Inscription, in elegiac hexameter, on the frame: Ipse Dolor reprobos comitor dignissima merces / At bonitas iusto sancta dolore caret

(I, pain, follow sinners as well-earned wages; but holy goodness is free from deserved pain)

Exhibition History
1973
Prints of the Italian Renaissance, National Gallery of Art, Washington, D.C., 1973, no. 1.
Bibliography
1975
Oberhuber, Konrad. "A Niello Plaque in Washington." The Burlington Magazine 117 (October 1975): 672, figs. 63 and 64.
1975
Toesca, Ilaria. "Some Niello Plaques for the 'Crucifixion'." The Burlington Magazine 117 (June 1975): 377.
1976
Oberhuber, Konrad. "Vasari e il mito di Maso Finiguerra." In Il Vasari storiografo e artista. Atti del congresso internazionale nel IV centenario della morte, Arezzo-Firenze, 2-8 settembre 1974. Florence, 1976: 383-393, fig. 76.
1996
Casciaro, Raffaele and Franco Moro. "Proposte e aggiunte per Giovan Pietro, Giovanni Ambrogio e Ludovico De Donati." Rassegna di Studi e di Notizie 20 (1996): 47, 121 n. 12.
1998
Whitaker, Lucy. "Maso Finiguerra and early Florentine printmaking." In Drawing 1400-1600: Invention and Innovation. Stuart Currie, ed. Ashgate, 1998: 61 n. 9.
2015
Sotto il segno di Leonardo, Exh. cat., Museo Poldi Pezzoli, Milan, 2015, under no. 13, repro.
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